1. Editorial
  2. Mirka Horová
  3. p. v
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  1. Essay Contributors
  2. p. vii
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  1. ‘Byron Pasha’ in Istanbul with Mozart and Rossini: The Seductions of Ottoman Sovereignty
  2. Piya Pal-Lapinski
  3. pp. 1-15
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  1. Fact and Fantasy in Byron’s Encounters with Ali Pasha: With a New Byron Letter
  2. G.B. Rizzoli
  3. pp. 17-31
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  1. A ‘Romantic Land’ Twice Invaded, and Twice Supported: Byron, Hemans, Moore, and ‘Hafiz’ on Spain, 1808–14 and 1820–23
  2. Agustín Coletes Blanco
  3. pp. 33-44
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  1. ‘And Making Death a Victory’: Scepticism and Personal Conflict in Childe Harold’s Pilgrimage I–II and ‘Prometheus’
  2. Francesco Marchionni
  3. pp. 45-56
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  1. Lord Byron’s Deformed Foot: A Medical and Biographical Assessment
  2. J.V. Hirschmann
  3. pp. 57-70
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  1. Fake News: A Note on T.S. Eliot and Byron
  2. Chris Williams
  3. p. 71
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  1. Don Juan: Conception, Reception, Imitation’ The Byron Society Conference, Nottingham 7 December 2019
  2. Francesco Marchionni
  3. pp. 73-75
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  1. ‘Late Romanticism: Past and Present’ KU Leuven, Belgium 12–14 December 2019
  2. Amy Wilcockson
  3. pp. 76-78
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  1. British Romantic Literature and the Emerging Modern Greek Nation by Alexander Grammatikos (review)
  2. Roderick Beaton
  3. pp. 79-81
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  1. The Wicked Lord Byron: A Novel by Richard Deakin (review)
  2. Carl Thompson
  3. pp. 81-82
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  1. Shelley’s Living Artistry: Letters, Poems, Plays by Madeleine Callaghan (review)
  2. Amy Wilcockson
  3. pp. 82-84
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  1. Romantic Women Writers and Arthurian Legend: The Quest for Knowledge by Katie Garner (review)
  2. Amy Louise Blaney
  3. pp. 84-86
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  1. The Byron Society
  2. Dr Emily Paterson-Morgan, Eileen Morgan Browne
  3. pp. 87-88
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  1. Irish Byron Society
  2. Eileen Morgan Browne
  3. pp. 88-89
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  1. The International Byron Societies Officers and Addresses
  2. pp. 91-94
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