1. Comparative Phonorhetorical Analyses of Speeches in the Zuo Commentary and the Discourses of the States
  2. Jeffrey R. Tharsen
  3. pp. 275-330
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  1. Genre Conflation and Fictional Religiosity in Guilian meng (Returning to the Lotus Dream)
  2. Mengjun Li
  3. pp. 331-358
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  1. Identities and Literary Culture in Qing China: Manchu Emperors as Chinese Poets, Readers, and Publishers
  2. Kai-Wing Chow
  3. pp. 359-382
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  1. Playing against Type: The Moral Merchant on the Early Qing Stage
  2. Ariel Fox
  3. pp. 383-411
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  1. Sending Flowers into the Mirror: Jinghua yuan as Metafiction
  2. Liangyan Ge
  3. pp. 412-431
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  1. The Ancient Chinese Arts of the Ear: Etymology, Meteorology, Musicology
  2. Wang Xiaodun, Casey Schoenberger
  3. pp. 432-460
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  1. Tao Yuanming in Recently Unearthed Epitaphs from the Sui and Tang
  2. Hu Kexian, Yuan Zhang
  3. pp. 461-482
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  1. The Book of Swindles: Selections from a Late Ming Collection by Zhang Yingyu (review)
  2. Katherine Carlitz
  3. pp. 483-486
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  1. Transgressive Typologies: Construction of Gender and Power in Early Tang China by Rebecca Doran (review)
  2. Maram Epstein
  3. pp. 487-491
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  1. Senses of the City: Perceptions of Hangzhou and Southern Song China 1127–1279 ed. by Joseph S. C. Lam et al. (review)
  2. Michael A. Fuller
  3. pp. 492-503
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  1. Bannerman Tales (Zidishu): Manchu Storytelling and Cultural Hybridity in the Qing Dynasty by Elena Suet-ying Chiu (review)
  2. Mary Scott
  3. pp. 504-508
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  1. The Poetics and Politics of Sensuality in China: The "Fragrant and Bedazzling" Movement (1600–1930) by Xiaorong Li (review)
  2. Paola Zamperini
  3. pp. 509-512
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