1. Editors’ Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vii-ix
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Guest Editor’s Foreword: Archives and Pedagogy
  2. Alice Lovejoy
  3. pp. x-xiii
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Sweet Magic: The Preservation of Helen Hill’s Cinema
  2. Anne Major
  3. pp. 15-40
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Experimentations in Television’s Archivability: Visions of a Television Archive at MoMA
  2. Lauren Bratslavsky
  3. pp. 41-62
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Model Archives: Pedagogy’s Role in Creating Diverse, Multidisciplinary Archival Users
  2. Vincent Longo
  3. pp. 63-74
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. “Pagan Constellations in the Sky”: (Re)Animating Muybridge in the Film History Classroom
  2. Colin Williamson
  3. pp. 75-92
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Teaching the Materiality of Film
  2. Bregt Lameris, Barbara Flueckiger
  3. pp. 93-101
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. AV Archaeology: Excavating Film in University Special Collections
  2. Trent S. Purdy, Jennifer L. Jenkins
  3. pp. 101-108
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. From 700 to 1: Using Limitations to Create New Knowledge
  2. Philip Hallman, Matthew Solomon
  3. pp. 109-114
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Teaching Media History through—and in—the Twin Cities and Its Archives
  2. Alice Lovejoy
  3. pp. 115-117
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Against Walt Disney’s Corporate Education: Walter Breckenridge’s Nature Films as Scientific Investigation
  2. Anaïs Nony
  3. pp. 118-123
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Entertainment, Art, or Education? The Emergence of Film Studies in the Twin Cities
  2. Nichole M. Neuman
  3. pp. 124-128
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Making and Breaking a Queer Film in the Twin Cities
  2. Olga Tchepikova-Treon
  3. pp. 129-133
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Joy of Words: Craig Leyland on the Oxford English Dictionary’s One Hundred New Film Entries
  2. Susan Ohmer, Donald Crafton, Craig Leyland
  3. pp. 134-143
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. How I Learned to Stop Worrying and Love Digital Archives: Digital Archiving Practices at the Swedish Film Institute
  2. Frida Bonatti, Per Legelius
  3. pp. 144-150
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Northeast Historic Film Summer Symposium: The Political/The Personal (review)
  2. Brian Real
  3. pp. 151-154
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Film Is Like a Battleground: Sam Fuller’s War Movies by Marsha Gordon (review)
  2. Donald Crafton
  3. pp. 154-156
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Show Trial: Hollywood, HUAC, and the Birth of the Blacklist by Thomas Doherty (review)
  2. Christine D’Auria
  3. pp. 156-159
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Big_Sleep™ by Video Data Bank (review)
  2. Jonathan Farbowitz
  3. pp. 159-163
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents