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Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 208-209
  4. DOI: https://doi.org/10.1353/mar.2020.0030
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  1. Upright
  2. Tomas Tranströmer, Patty Crane
  3. p. 211
  4. DOI: https://doi.org/10.1353/mar.2020.0031
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  1. The Penultimate Tree
  2. Juan Vitulli, Peter Bush
  3. pp. 212-225
  4. DOI: https://doi.org/10.1353/mar.2020.0032
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  1. Erasure
  2. Joanne Dominque Dwyer
  3. pp. 226-227
  4. DOI: https://doi.org/10.1353/mar.2020.0033
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  1. The Rain of Brno: Ivan Blatný and the Moravian Portuguese Poet
  2. Karl-Markus Gau, Tess Lewis
  3. pp. 228-232
  4. DOI: https://doi.org/10.1353/mar.2020.0034
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  1. Kakania
  2. Miljenko Jergović, Russell Scott Valentino
  3. pp. 233-241
  4. DOI: https://doi.org/10.1353/mar.2020.0035
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  1. Fire
  2. Mukhtar Magauin, Mirgul Kali
  3. pp. 242-248
  4. DOI: https://doi.org/10.1353/mar.2020.0036
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  1. Is Music a Language?
  2. Ryan Mihaly
  3. pp. 249-253
  4. DOI: https://doi.org/10.1353/mar.2020.0037
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  1. Through the Window
  2. Alexandra Kulik, Julian Senn-Raemont
  3. pp. 254-268
  4. DOI: https://doi.org/10.1353/mar.2020.0038
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  1. Moon Sonnet
  2. Doug Ramspeck
  3. p. 269
  4. DOI: https://doi.org/10.1353/mar.2020.0039
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  1. Xyla
  2. Nia Imara
  3. pp. 270-278
  4. DOI: https://doi.org/10.1353/mar.2020.0040
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  1. The Unraveling of Absence
  2. Emmalie Dropkin
  3. pp. 279-287
  4. DOI: https://doi.org/10.1353/mar.2020.0041
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  1. The Last Time I Saw My Grandfather
  2. Diamond Forde
  3. p. 288
  4. DOI: https://doi.org/10.1353/mar.2020.0042
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  1. Naudline Pierre: Recent Work
  3. pp. 289-296
  4. DOI: https://doi.org/10.1353/mar.2020.0043
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  1. Keeping Time
  2. Maria José Silveira, Matthew Rinaldi
  3. pp. 297-301
  4. DOI: https://doi.org/10.1353/mar.2020.0044
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  1. In Front of the House, All Night Long
  2. Agustín Cadena, Patricia Dubrava
  3. pp. 302-308
  4. DOI: https://doi.org/10.1353/mar.2020.0045
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  1. Mass of the Mute
  2. Nicole Gonzalez
  3. pp. 309-319
  4. DOI: https://doi.org/10.1353/mar.2020.0046
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  1. Alva and the Ode to a Punching Bag
  2. L. S. McKee
  3. pp. 320-321
  4. DOI: https://doi.org/10.1353/mar.2020.0047
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  1. The Autumn Kill
  2. Gennarose Nethercott
  3. pp. 322-326
  4. DOI: https://doi.org/10.1353/mar.2020.0048
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  1. Jesus Kicks His Oedipus Complex
  2. Eugenio Volpe
  3. pp. 327-336
  4. DOI: https://doi.org/10.1353/mar.2020.0049
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  1. The Twelve Dancing Princesses
  2. David Moolten
  3. p. 337
  4. DOI: https://doi.org/10.1353/mar.2020.0050
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  1. Ghost Child, and: City Lake, and: After the Diagnosis, and: Annual Migration, and: Covenant
  2. Chelsea B. Desautels
  3. pp. 338-342
  4. DOI: https://doi.org/10.1353/mar.2020.0051
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  1. An Old Man in Great Trouble
  2. Kathleen Winter
  3. p. 343
  4. DOI: https://doi.org/10.1353/mar.2020.0052
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  1. A Foreign Country
  2. Soledad Puértolas, Julia Sanches
  3. pp. 344-348
  4. DOI: https://doi.org/10.1353/mar.2020.0053
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  1. Fin de Siècle
  2. Willa Elizabeth Schmidt
  3. pp. 349-357
  4. DOI: https://doi.org/10.1353/mar.2020.0054
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  1. from Olta's Summer
  2. Ornela Vorpsi, Samantha Kirby
  3. pp. 358-364
  4. DOI: https://doi.org/10.1353/mar.2020.0055
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  1. Range
  2. Jennifer Sperry Steinorth
  3. pp. 365-366
  4. DOI: https://doi.org/10.1353/mar.2020.0056
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  1. Look, Little Donkeys: Cultural exchange, Haifa, 1997
  2. Jen Jabaily-Blackburn
  3. p. 367
  4. DOI: https://doi.org/10.1353/mar.2020.0057
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  1. The Borrowed Silence of Translation
  2. Allison Grimaldi Donahue
  3. pp. 368-373
  4. DOI: https://doi.org/10.1353/mar.2020.0058
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  1. A Habit
  2. Steven Cramer
  3. p. 374
  4. DOI: https://doi.org/10.1353/mar.2020.0059
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  1. Notes on Contributors
  3. pp. 375-379
  4. DOI: https://doi.org/10.1353/mar.2020.0060
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