1. "The World's Heavy Gaze": Cin-aereality in the Postwar Avant-Gardes
  2. Paula Amad
  3. pp. 207-242
  4. DOI: 10.1353/mod.2020.0021
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  1. Exceeding Modernism: Romantic Artists in the Twentieth Century
  2. Paul Cuff
  3. pp. 243-272
  4. DOI: 10.1353/mod.2020.0022
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  1. Lateness and the Politics of Filmic Excess
  2. Matthew Noble-Olson
  3. pp. 273-297
  4. DOI: 10.1353/mod.2020.0023
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  1. Ink Splashes on Camera: Calligraphy, Action Painting, and Mass Media in Postwar Japan
  2. Eugenia Bogdanova-Kummer
  3. pp. 299-321
  4. DOI: 10.1353/mod.2020.0024
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  1. "Cinematic Blossoming": Duchamp, Chess, and Infraqueer Mating
  2. Christophe Wall-Romana
  3. pp. 323-338
  4. DOI: 10.1353/mod.2020.0025
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  1. Original Nonsense: James Joyce, Marcel Duchamp, and Modernism's Genius
  2. Robert S. Lehman
  3. pp. 339-360
  4. DOI: 10.1353/mod.2020.0026
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  1. Duchamp Culture/Cunningham Dance
  2. Carrie Noland
  3. pp. 361-386
  4. DOI: 10.1353/mod.2020.0027
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  1. A Desire for the Readymade: Duchamp's Emergency in Favor of Twice
  2. Julia Robinson
  3. pp. 387-398
  4. DOI: 10.1353/mod.2020.0028
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  1. Feasts and Fasts: Towards a Modernist Food Studies
  2. Rebecca Bowler
  3. pp. 399-405
  4. DOI: 10.1353/mod.2020.0029
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  1. Art and Form: From Roger Fry to Global Modernism by Sam Rose (review)
  2. Patrick Fessenbecker
  3. pp. 407-409
  4. DOI: 10.1353/mod.2020.0030
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  1. Kafka's Other Prague: Writings from the Czechoslovak Republic by Anne Jamison (review)
  2. Veronika Tuckerova
  3. pp. 410-412
  4. DOI: 10.1353/mod.2020.0031
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  1. Modernist Fraud: Hoax, Parody, Deception by Leonard Diepeveen (review)
  2. Sunny Stalter-Pace
  3. pp. 412-414
  4. DOI: 10.1353/mod.2020.0032
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  1. Autonomy: The Social Ontology of Art Under Capitalism by Nicholas Brown (review)
  2. Lisa Siraganian
  3. pp. 414-416
  4. DOI: 10.1353/mod.2020.0033
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  1. Beckett's Thing: Painting and Theatre by David Lloyd (review)
  2. Andrew Kincaid
  3. pp. 416-418
  4. DOI: 10.1353/mod.2020.0034
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  1. Gatsby's Oxford: Scott, Zelda, and the Jazz Age Invasion of Britain, 1904–1929 by Christopher A. Snyder (review)
  2. Kevin J. Hayes
  3. pp. 419-420
  4. DOI: 10.1353/mod.2020.0017
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  1. Make It the Same: Poetry in the Age of Global Media by Jacob Edmond (review)
  2. Anatoly Detwyler
  3. pp. 420-423
  4. DOI: 10.1353/mod.2020.0018
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  1. Science, Technology, and Irish Modernism ed. by Kathryn Conrad, Cóilín Parsons, and Julie McCormick Weng (review)
  2. Valérie Bénéjam
  3. pp. 423-426
  4. DOI: 10.1353/mod.2020.0019
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  1. Recent Books of Interest
  2. pp. 427-428
  3. DOI: 10.1353/mod.2020.0020
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