1. Color Plates
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  1. Editor’s Introduction: A World within Worlds? Reassessing the Global Turn in Medieval Art History
  2. Christina Normore
  3. pp. 1-10
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  1. A Camel’s Pace: A Cautionary Global
  2. Bonnie Cheng
  3. pp. 11-34
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  1. The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
  2. Jennifer Pruitt
  3. pp. 35-56
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  1. Worldliness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph
  2. Cecily J. Hilsdale
  3. pp. 57-96
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  1. Exchange of Sacrifices: West Africa in the Medieval World of Goods
  2. Sarah M. Guérin
  3. pp. 97-123
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  1. The Beryozovo Cup: A Byzantine Object at the Crossroads of Twelfth-Century Eurasia
  2. Alicia Walker
  3. pp. 125-148
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  1. Mobile Meanings: A Global Approach to a Dagger from Greater Syria
  2. Heather Badamo
  3. pp. 149-176
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  1. Global Medieval at the “End of the Silk Road,” circa 756 CE: The ShōSō-in Collection in Japan
  2. Jun Hu
  3. pp. 177-202
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  1. Response: Medievalists and Early Modernists— A World Divided?
  2. Jessica Keating, Lia Markey
  3. pp. 203-218
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