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Table of Contents

  1. Editor’s Notes
  2. pp. vii-x
  3. DOI: https://doi.org/10.1353/rvt.2020.0012
  4. restricted access
  1. If and When
  2. Rebecca McClanahan
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/rvt.2020.0013
  5. restricted access
  1. Whiskey Boys
  2. Phillip Hurst
  3. pp. 15-28
  4. DOI: https://doi.org/10.1353/rvt.2020.0000
  5. restricted access
  1. Ordinary
  2. Wendy Bilen
  3. pp. 29-36
  4. DOI: https://doi.org/10.1353/rvt.2020.0001
  5. restricted access
  1. My Mother, In Passing
  2. Mary Grimm
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/rvt.2020.0002
  5. restricted access
  1. Camino de Santiago
  2. Kevin Honold
  3. pp. 39-53
  4. DOI: https://doi.org/10.1353/rvt.2020.0003
  5. restricted access
  1. A Thing Happens
  2. Camellia Freeman
  3. pp. 55-70
  4. DOI: https://doi.org/10.1353/rvt.2020.0004
  5. restricted access
  1. Blood Brothers
  2. Liz Prato
  3. pp. 71-87
  4. DOI: https://doi.org/10.1353/rvt.2020.0005
  5. restricted access
  1. Confessions of a Family Man
  2. Tim Bascom
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/rvt.2020.0006
  5. restricted access
  1. Star Tables
  2. Kelle Groom
  3. pp. 95-103
  4. DOI: https://doi.org/10.1353/rvt.2020.0007
  5. restricted access
  1. The Deer Wouldn’t Burn
  2. James Ellenberger
  3. pp. 105-108
  4. DOI: https://doi.org/10.1353/rvt.2020.0008
  5. restricted access
  1. Astraphobia
  2. Kelly Fordon
  3. pp. 109-120
  4. DOI: https://doi.org/10.1353/rvt.2020.0009
  5. restricted access
  1. Kate Chopin, My Mother, and Me
  2. Nicole Graev Lipson
  3. pp. 121-134
  4. DOI: https://doi.org/10.1353/rvt.2020.0010
  5. restricted access
  1. Contributors’ Notes
  2. pp. 135-138
  3. DOI: https://doi.org/10.1353/rvt.2020.0011
  4. restricted access