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Table of Contents

  1. Editor's Note
  2. Eero Laine
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/dtc.2020.0005
  5. restricted access
  1. Voyaging Pasts, Pacific Futures: Kupe and A Waka Odyssey
  2. Diana Looser
  3. pp. 9-25
  4. DOI: https://doi.org/10.1353/dtc.2020.0006
  5. restricted access
  1. Spectatorship at the Border: Watching Pancho Villa From a Safe Distance
  2. James R. Ball III
  3. pp. 27-51
  4. DOI: https://doi.org/10.1353/dtc.2020.0007
  5. restricted access
  1. Performing (In)visible Bodies in Unpacked:: Refugee Baggage Mohamadreza Babaee
  2. Mohamadreza Babaee
  3. pp. 53-70
  4. DOI: https://doi.org/10.1353/dtc.2020.0008
  5. restricted access
  1. Theatre and Embodied Collective Reflexivity
  2. Tobin Nellhaus
  3. pp. 71-91
  4. DOI: https://doi.org/10.1353/dtc.2020.0009
  5. restricted access
  1. Relationality, Comparison, and Identity: The Performance, Politics, and Academic Reception of Denise Stoklos
  2. Glenn Odom
  3. pp. 93-110
  4. DOI: https://doi.org/10.1353/dtc.2020.0010
  5. open access
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  1. German Classicism and Tragedy's Comic Play
  2. Elliott Turley
  3. pp. 111-129
  4. DOI: https://doi.org/10.1353/dtc.2020.0011
  5. restricted access
  1. The Model as Performance: Staging Space in Theatre and Architecture by Thea Brejzek and Lawrence Wallen, and: Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design ed. by Birgit E. Wiens (review)
  2. John M. Andrick
  3. pp. 133-136
  4. DOI: https://doi.org/10.1353/dtc.2020.0012
  5. restricted access
  1. Tennessee Williams in Sweden and France, 1945-1965: Cultural Translations, Sexual Anxieties and Racial Fantasies by Dirk Gindt (review)
  2. Ben De Witte
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/dtc.2020.0013
  5. restricted access
  1. Enacting Lecoq: Movement in Theatre, Cognition, and Life by Maiya Murphy (review)
  2. John Lutterbie
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/dtc.2020.0014
  5. restricted access
  1. The Theatre of David Henry Hwang by Esther Kim Lee (review)
  2. Jayson A. Morrison
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/dtc.2020.0015
  5. restricted access
  1. The Theatre of Tom Murphy: Playwright Adventurer by Nicholas Grene (review)
  2. Deirdre O'Leary
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/dtc.2020.0000
  5. restricted access
  1. Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions ed. by George Rodosthenous (review)
  2. Tiffany Pounds-Williams
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/dtc.2020.0001
  5. restricted access
  1. Arthur Miller's Century: Essays Celebrating the 100th Birthday of America's Great Playwright ed. by Stephen Marino (review)
  2. Jayetta Slawson
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/dtc.2020.0002
  5. restricted access
  1. Applied Improvisation: Leading, Collaborating, and Creating Beyond the Theatre ed. by Theresa Robbins Dudeck and Caitlin McClure (review)
  2. Jenny Toutant
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/dtc.2020.0003
  5. restricted access
  1. List of Books Received
  3. pp. 153-159
  4. DOI: https://doi.org/10.1353/dtc.2020.0004
  5. restricted access