1. Introduction
  2. Polly Galis, Maria Tomlinson, Antonia Wimbush
  3. pp. 1-12
  4. DOI: 10.1353/esp.2020.0022
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  1. Penser l'autonomie du corps dans les récits d'amours transgressifs
  2. Anna Krykun
  3. pp. 13-25
  4. DOI: 10.1353/esp.2020.0025
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  1. Blood Isn't Always Thicker Than Water: Delineating the Grotesque Gaze and Locating the 'Flesh' in Victor Séjour's "Le mulâtre" (1837)
  2. Marshall L. Smith
  3. pp. 26-40
  4. DOI: 10.1353/esp.2020.0020
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  1. Disrupting Homogeneous Nation-space: Black Male Bodies and the Immigrant Woman Writer's Gaze
  2. Ashwiny O. Kistnareddy
  3. pp. 41-54
  4. DOI: 10.1353/esp.2020.0021
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  1. Out of Place: The Medical Body in Exile from Dorothée Chellier to Malika Mokeddem
  2. Elizabeth H. Jones
  3. pp. 55-68
  4. DOI: 10.1353/esp.2020.0026
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  1. Living and Literary Bodies in Maïssa Bey's Hizya
  2. Siobhán McIlvanney
  3. pp. 69-82
  4. DOI: 10.1353/esp.2020.0027
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  1. Héla Ammar's À fleur de peau / Body Talks: From Anonymous to Familiar Bodies
  2. Anna Rocca
  3. pp. 83-98
  4. DOI: 10.1353/esp.2020.0023
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  1. Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved
  2. Kaya Davies Hayon
  3. pp. 99-112
  4. DOI: 10.1353/esp.2020.0024
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  1. Brigitte Bardot as Object of Desire and Subject of Contempt
  2. Sophie Belot
  3. pp. 113-125
  4. DOI: 10.1353/esp.2020.0016
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  1. Recasting the Gaze: Self-perception and Body De(con)struction in Nelly Arcan's "La honte"
  2. Marzia Caporale
  3. pp. 126-138
  4. DOI: 10.1353/esp.2020.0017
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  1. Corps à cœur à l'écran: Les attractions contraires de Fiorenza Menini
  2. Claire Lozier
  3. pp. 139-151
  4. DOI: 10.1353/esp.2020.0018
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  1. Screening Youth, Contemporary French and Francophone Cinema ed. by Romain Chareyron and Gilles Viennot (review)
  2. Peadar Kearney
  3. p. 152
  4. DOI: 10.1353/esp.2020.0019
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