Project MUSE - L'Esprit Créateur-Volume 60, Number 2, Summer 2020

Introduction

Polly Galis, Maria Tomlinson, Antonia Wimbush

pp. 1-12

DOI: https://doi.org/10.1353/esp.2020.0022

Penser l'autonomie du corps dans les récits d'amours transgressifs

Anna Krykun

pp. 13-25

DOI: https://doi.org/10.1353/esp.2020.0025

Blood Isn't Always Thicker Than Water: Delineating the Grotesque Gaze and Locating the 'Flesh' in Victor Séjour's "Le mulâtre" (1837)

Marshall L. Smith

pp. 26-40

DOI: https://doi.org/10.1353/esp.2020.0020

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Disrupting Homogeneous Nation-space: Black Male Bodies and the Immigrant Woman Writer's Gaze

Ashwiny O. Kistnareddy

pp. 41-54

DOI: https://doi.org/10.1353/esp.2020.0021

Out of Place: The Medical Body in Exile from Dorothée Chellier to Malika Mokeddem

Elizabeth H. Jones

pp. 55-68

DOI: https://doi.org/10.1353/esp.2020.0026

Living and Literary Bodies in Maïssa Bey's Hizya

Siobhán McIlvanney

pp. 69-82

DOI: https://doi.org/10.1353/esp.2020.0027

Héla Ammar's À fleur de peau / Body Talks: From Anonymous to Familiar Bodies

Anna Rocca

pp. 83-98

DOI: https://doi.org/10.1353/esp.2020.0023

Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved

Kaya Davies Hayon

pp. 99-112

DOI: https://doi.org/10.1353/esp.2020.0024

Brigitte Bardot as Object of Desire and Subject of Contempt

Sophie Belot

pp. 113-125

DOI: https://doi.org/10.1353/esp.2020.0016

Recasting the Gaze: Self-perception and Body De(con)struction in Nelly Arcan's "La honte"

Marzia Caporale

pp. 126-138

DOI: https://doi.org/10.1353/esp.2020.0017

Corps à cœur à l'écran: Les attractions contraires de Fiorenza Menini

Claire Lozier

pp. 139-151

DOI: https://doi.org/10.1353/esp.2020.0018

Screening Youth, Contemporary French and Francophone Cinema ed. by Romain Chareyron and Gilles Viennot (review)

Peadar Kearney

p. 152

DOI: https://doi.org/10.1353/esp.2020.0019

ISSN	1931-0234
Print ISSN	0014-0767
Launched on MUSE	2020-06-20
Open Access	No

L'Esprit Créateur

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Volume 60, Number 2, Summer 2020

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Table of Contents

Introduction

Penser l'autonomie du corps dans les récits d'amours transgressifs

Blood Isn't Always Thicker Than Water: Delineating the Grotesque Gaze and Locating the 'Flesh' in Victor Séjour's "Le mulâtre" (1837)

Disrupting Homogeneous Nation-space: Black Male Bodies and the Immigrant Woman Writer's Gaze

Out of Place: The Medical Body in Exile from Dorothée Chellier to Malika Mokeddem

Living and Literary Bodies in Maïssa Bey's Hizya

Héla Ammar's À fleur de peau / Body Talks: From Anonymous to Familiar Bodies

Exoticism or Empowerment? The Representation of Non-normative Women and Prostitution in Nabil Ayouch's Much Loved

Brigitte Bardot as Object of Desire and Subject of Contempt

Recasting the Gaze: Self-perception and Body De(con)struction in Nelly Arcan's "La honte"

Corps à cœur à l'écran: Les attractions contraires de Fiorenza Menini

Screening Youth, Contemporary French and Francophone Cinema ed. by Romain Chareyron and Gilles Viennot (review)

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