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In this Issue

Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/amu.2020.0017
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  1. No Notation Needed: The Construction and Politics of Transnational Thai Identity through the Oral Transmission of Classical Music
  2. Nattapol Wisuttipat
  3. pp. 5-38
  4. DOI: https://doi.org/10.1353/amu.2020.0018
  5. restricted access
  1. Teaching Islam in Song: Storytelling and Islamic Meaning in Sindhi Sufi Poetry Performance
  2. Brian E. Bond
  3. pp. 39-71
  4. DOI: https://doi.org/10.1353/amu.2020.0019
  5. restricted access
  1. Continuity and Changes in Cambodian Lkhaon Bassac (Lakhon Baasaq) Opera
  2. Francesca Billeri
  3. pp. 72-104
  4. DOI: https://doi.org/10.1353/amu.2020.0020
  5. restricted access
  1. From Folk Musicians to Popular Icons: The Resilient Uṟumi Mēḷam Tamil Folk Drumming Ensemble in Singapore
  2. JinXing (Gene) Lai
  3. pp. 105-138
  4. DOI: https://doi.org/10.1353/amu.2020.0021
  5. restricted access

Reviews

Book Reviews

  1. Forbidden Songs of the Pgaz K'Nyau by Suwichan Phattanaphraiwan (review)
  2. Gavin Douglas
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/amu.2020.0022
  5. restricted access
  1. Song King: Connecting People, Places, and Past in Contemporary China by Levi S. Gibbs (review)
  2. Ying Diao
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/amu.2020.0023
  5. restricted access
  1. Sounding the Dance, Moving the Music: Choreomusicological Perspectives on Maritime Southeast Asian Performing Arts ed. by Mohd Anis Md Nor and Kendra Stepputat (review)
  2. Mayco A. Santaella
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/amu.2020.0024
  5. restricted access
  1. Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam by Lonán Ó Briain (review)
  2. Marie-Pierre Lissoir
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/amu.2020.0025
  5. restricted access
  1. Women Musicians of Uzbekistan: From Courtyard to Conservatory by Tanya Merchant (review)
  2. Victoria M. Dalzell
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/amu.2020.0026
  5. restricted access
  1. Semionauts of Tradition: Music, Culture, and Identity in Contemporary Singapore by Juliette Yu-Ming Lizeray and Chee-Hoo Lum (review)
  2. JinXing (Gene) Lai
  3. pp. 154-158
  4. DOI: https://doi.org/10.1353/amu.2020.0027
  5. restricted access
  1. Singing across Divides: Music and Intimate Politics in Nepal by Anna Marie Stirr (review)
  2. Subash Giri
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/amu.2020.0028
  5. restricted access
  1. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance, and Theatre of the Riau Islands ed. by Margaret Kartomi (review)
  2. Patricia Matusky
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/amu.2020.0029
  5. restricted access

Media Reviews

  1. Japanese Traditional Music: Songs of People at Work and Play by Kokusai Bunka Shinkokai (review)
  2. Justin R. Hunter
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/amu.2020.0014
  5. restricted access
  1. Flowers, Birds, Wind, Moon: Music by Marty Regan by Duo Yumeno (review)
  2. Colleen Christina Schmuckal
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/amu.2020.0015
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About the Contributors

  1. About the Contributors
  3. pp. 172-175
  4. DOI: https://doi.org/10.1353/amu.2020.0016
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