1. From The Editor
  2. Siyuan Liu
  3. p. v
  4. DOI: 10.1353/atj.2020.0021
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  1. A Note on Transliteration
  2. p. 1
  3. DOI: 10.1353/atj.2020.0022
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  1. Introduction: The Field of Ramlila
  2. Pamela Lothspeich
  3. pp. 3-33
  4. DOI: 10.1353/atj.2020.0023
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  1. The Story of Ram in Ramlila
  2. pp. 34-37
  3. DOI: 10.1353/atj.2020.0024
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  1. Old Delhi's Spectacular Lav-Kush Ramlila: Three Pivotal Scenes in Translation
  2. Radhica Ganapathy
  3. pp. 38-88
  4. DOI: 10.1353/atj.2020.0025
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  1. "Ramayan Gaan" or Singing the Ramayan in West Bengal, Assam, and Bangladesh
  2. Tutun Mukherjee, Saymon Zakaria
  3. pp. 89-106
  4. DOI: 10.1353/atj.2020.0026
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  1. Community, Artistry, and Storytelling in the Cultural Confluence of Nautanki and Ramlila
  2. Devendra Sharma
  3. pp. 107-132
  4. DOI: 10.1353/atj.2020.0027
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  1. Reminisces with My Father, A Nautanki and Ramlila Master Artist
  2. Devendra Sharma
  3. pp. 133-141
  4. DOI: 10.1353/atj.2020.0028
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  1. Kumaoni Ramlila, A Conversation with Himanshu Joshi
  2. Pamela Lothspeich
  3. pp. 142-158
  4. DOI: 10.1353/atj.2020.0029
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  1. Review-essay: Documenting Ramayan: Leela in Kheriya and In the Shadow of Time
  2. Rustom Bharucha
  3. pp. 159-178
  4. DOI: 10.1353/atj.2020.0030
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  1. Ritual and Theatrical Performance in Ramdilla
  2. David Mason
  3. pp. 179-199
  4. DOI: 10.1353/atj.2020.0000
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  1. Lord Ram Plays the Parking Lot: Ramlila in the Diaspora
  2. Afroz Taj, John Caldwell
  3. pp. 200-227
  4. DOI: 10.1353/atj.2020.0001
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  1. Report: Indonesian Ramayana Festival at Prambanan (2012)
  2. I Nyoman Sedana, Kathy Foley
  3. pp. 228-245
  4. DOI: 10.1353/atj.2020.0002
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  1. Cosmic Characters: Wood Puppets Of Asia by Annie Reynolds and Michael Schuster (review)
  2. Chesley Cannon
  3. pp. 246-252
  4. DOI: 10.1353/atj.2020.0003
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  1. Pratthana: A Portrait Of Possession by Okada Tosh (review)
  2. David Jortner
  3. pp. 253-255
  4. DOI: 10.1353/atj.2020.0004
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  1. Ham Ik (Hamlet) by Eun-seong Kim (review)
  2. Dukhee Cho
  3. pp. 255-259
  4. DOI: 10.1353/atj.2020.0005
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  1. Women and Puppetry: Critical and Historical Investigations ed. by Alissa Mello, Claudia Orenstein, and Cariad Astles (review)
  2. Kathy Foley
  3. pp. 260-263
  4. DOI: 10.1353/atj.2020.0006
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  1. Arts and Cultural Leadership in Asia ed. by Josephine Caust (review)
  2. Rabia Zaid
  3. pp. 263-266
  4. DOI: 10.1353/atj.2020.0007
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  1. Staging Revolution: Artistry and Aesthetics in Model Beijing Opera During the Cultural Revolution by Xing Fan (review)
  2. John B. Weinstein
  3. pp. 267-270
  4. DOI: 10.1353/atj.2020.0008
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  1. Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox (review)
  2. Ziying Cui
  3. pp. 270-274
  4. DOI: 10.1353/atj.2020.0009
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  1. Opera, Society, and Politics in Modern China by Hsiaot'i Li (review)
  2. Yizhou Huang
  3. pp. 277-280
  4. DOI: 10.1353/atj.2020.0011
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  1. Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju by Huai Bao aka H. B. Dhawa (review)
  2. Chao Guo
  3. pp. 281-284
  4. DOI: 10.1353/atj.2020.0012
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  1. The Frontier Within: Essays by Abe Kōbō by Abe Kōbō (review)
  2. David Jortner
  3. pp. 284-287
  4. DOI: 10.1353/atj.2020.0013
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  1. Performing Kamishibai: An Emerging New Literacy for a Global Audience by Tara M. McGowan (review)
  2. Cooper Sivara
  3. pp. 287-290
  4. DOI: 10.1353/atj.2020.0014
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  1. A Socio-Political History Of Marathi Theatre: Thirty Nights by Makarand Sathe (review)
  2. Radhica Ganapathy
  3. pp. 296-300
  4. DOI: 10.1353/atj.2020.0017
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  1. Puppets and Cities: Articulating Identities in Southeast Asia by Jennifer Goodlander (review)
  2. Annie Katsura Rollins
  3. pp. 304-306
  4. DOI: 10.1353/atj.2020.0019
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  1. Mak Yong: World Heritage Theatre by Ghulam-Sarwar Yousof (review)
  2. Patricia Matusky
  3. pp. 306-309
  4. DOI: 10.1353/atj.2020.0020
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