1. Soundtrack of an (After)Life: Performing Transfemicide, Mourning, and Pop Music in La Prietty Guoman by César Enríquez
  2. Christina Baker
  3. pp. 5-32
  4. DOI: 10.1353/ltr.2020.0012
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  1. Historia de la sangre de la compañía Teatro La Memoria: el trauma social inscrito en el cuerpo posdictadorial
  2. Andrea Jeftanovic, Lorena Garrido
  3. pp. 33-56
  4. DOI: 10.1353/ltr.2020.0013
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  1. A Portrait of the Artistic Process: Federico León's Las ideas
  2. Nina Mila Longinovic
  3. pp. 57-80
  4. DOI: 10.1353/ltr.2020.0000
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  1. "Marichiweu": Performances of Memory and Mapuche Presence in Guillermo Calderón's Villa
  2. Ethan Madarieta
  3. pp. 81-104
  4. DOI: 10.1353/ltr.2020.0001
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  1. Aproximaciones a la marginalidad en HP y Las niñas araña de Luis Barrales
  2. Bernardo Rocco Núñez, Federico Zurita Hecht
  3. pp. 105-118
  4. DOI: 10.1353/ltr.2020.0002
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  1. XXXIV Festival Iberoamericano de Teatro de Cádiz 2019: pensamiento crítico y compromiso social
  2. Miguel Ángel Giella
  3. pp. 119-130
  4. DOI: 10.1353/ltr.2020.0003
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  1. En escena nacional: los temas que nos afligen
  2. Enrique Mijares
  3. pp. 131-142
  4. DOI: 10.1353/ltr.2020.0004
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  1. In Memoriam: Eduardo Rovner (1942-2019) El triunfo de la imagen sobre la idea
  2. Miguel Ángel Giella
  3. pp. 143-144
  4. DOI: 10.1353/ltr.2020.0005
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  1. Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico by Ruth Hellier-Tinoco (review)
  2. Jimmy A. Noriega
  3. pp. 148-149
  4. DOI: 10.1353/ltr.2020.0008
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  1. Populism and Performance in the Bolivarian Revolution of Venezuela by Angela Marino (review)
  2. Javier Guerrero
  3. pp. 149-151
  4. DOI: 10.1353/ltr.2020.0009
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  1. A Shared Truth: The Theater of Lagartijas Tiradas al Sol by Julie Ann Ward (review)
  2. Analola Santana
  3. pp. 153-154
  4. DOI: 10.1353/ltr.2020.0011
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