1. Editor's Notes
  2. pp. 1-2
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Calls for Close-Up Submissions

  1. BlacKkKlansman (2018): On the Right Side of History
  2. pp. 3-4
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  1. Contemporary Black Horror
  2. pp. 5-6
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Calls for Book Chapter Submissions

  1. Edited Volume on Contemporary Black Hollywood
  2. pp. 7-8
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Articles

African Focus

  1. White Supremacy, "Colored-ness," and Queerness in Oliver Hermanus's Skoonheid/Beauty
  2. Nicole Devarenne
  3. pp. 9-31
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  1. Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film
  2. Rachel Gabara
  3. pp. 32-59
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  1. Theorizing Globalization in Ethiopia's Movie Industry
  2. Steven W. Thomas
  3. pp. 60-84
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  1. Locating Nollywood Film Music at the Intersection of Individualism and a Commodified Identity
  2. Emaeyak Sylvanus
  3. pp. 85-105
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Diasporic Focus

  1. A Call from Inside the House: Broadcasting the Black Audio Film Collective's Postcolonial Critiques on Channel 4
  2. Alison Wielgus
  3. pp. 106-129
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  1. Diasporic Communion and Textual Exchange in Beyoncé's Lemonade and Julie Dash's Daughters of the Dust
  2. Jamie Ann Rogers
  3. pp. 130-157
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  1. Mother Myths: Cinematic Representation of Eurocentric Diffusion in Losing Isaiah
  2. Assatu N. Wisseh
  3. pp. 158-175
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Interview

  1. Boots Riley on Sorry to Bother You and the Matter of the "Good Fight"
  2. Michael T. Martin, Yalie Kamara
  3. pp. 176-215
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Africultures Dossier

  1. Privileging Other Writings: Interview with Alain Gomis at the Carthage Film Festival 2019, Tunis
  2. Olivier Barlet, Chloe Farrell
  3. pp. 216-221
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African Women in Cinema Dossier

  1. African Women, Cinema, and Leadership: Empowerment, Mentorship, and Role-Modeling
  2. Beti Ellerson
  3. pp. 222-238
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Documents

  1. II. "Black Best Friend: A Manifesto"
  2. Jess Brooks
  3. pp. 244-245
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  1. III. The Association for the Advancement of Cinematic Creative Maladjustment: A Manifesto
  2. Cauleen Smith
  3. pp. 246-255
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Book Review

  1. South African Cinema 1896–2010 by Martin Botha's (review)
  2. Anna-Marie Jansen van Vuuren
  3. pp. 256-257
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Professional Notes and Research Sources

  1. Professional Notes and Research Sources
  2. pp. 258-262
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Updated Deadline

  1. Updated Deadline: Contemporary Cuban Cinema
  2. pp. 263-264
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