1. From the Mast-Head
  2. Brian Yothers
  3. pp. 1-2
  4. DOI: 10.1353/lvn.2020.0023
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  1. Introduction to “Melville’s England / England’s Melville”
  2. Edward Sugden
  3. pp. 5-9
  4. DOI: 10.1353/lvn.2020.0024
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  1. Styling Melville
  2. Rasmus R. Simonsen
  3. pp. 10-23
  4. DOI: 10.1353/lvn.2020.0025
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  1. A Melvillean Moment: Law, History, and Empire from Gibbon to Melville
  2. Matthew Crow
  3. pp. 24-37
  4. DOI: 10.1353/lvn.2020.0026
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  1. Fin-de-Siècle British Socialism and a Prelude to the Melville Revival
  2. Maki Sadahiro
  3. pp. 38-53
  4. DOI: 10.1353/lvn.2020.0027
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  1. Viola Meynell’s Melville “Unsurpassed”
  2. Janet Floyd
  3. pp. 54-66
  4. DOI: 10.1353/lvn.2020.0028
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  1. Remapping Melville’s Liverpool: Reading Redburn in Malcolm Lowry’s In Ballast to the White Sea
  2. Katie McGettigan
  3. pp. 67-80
  4. DOI: 10.1353/lvn.2020.0017
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  1. Herman Melville in Context ed. by Kevin J. Hayes (review)
  2. Steven Olsen-Smith
  3. pp. 83-91
  4. DOI: 10.1353/lvn.2020.0018
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  1. Emergent Worlds: Alternative States in Nineteenth-Century American Culture by Edward Sugden (review)
  2. Alex Calder
  3. pp. 92-96
  4. DOI: 10.1353/lvn.2020.0019
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  1. Melville and the Question of Meaning by David Faflik (review)
  2. Jaime Campomar
  3. pp. 97-101
  4. DOI: 10.1353/lvn.2020.0020
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 105-110
  4. DOI: 10.1353/lvn.2020.0021
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  1. Abstracts: MLA 2020—Seattle: Melville, Gesture, Love
  2. Michael D. Snediker, James Lilley, Jamie Godley, Lindsay Reckson, Theo Davis
  3. pp. 111-115
  4. DOI: 10.1353/lvn.2020.0022
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