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Table of Contents

  1. Raising the Wind
  2. Sean Latham
  3. pp. 7-10
  4. DOI: https://doi.org/10.1353/jjq.2019.0097
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  1. Introduction to "The Art of James Joyce"
  2. Scarlett Baron, Ronan Crowley, Dirk Van Hulle
  3. p. 19
  4. DOI: https://doi.org/10.1353/jjq.2019.0099
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  1. Joyce's Art of Mosaic
  2. Scarlett Baron
  3. pp. 21-34
  4. DOI: https://doi.org/10.1353/jjq.2019.0100
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  1. "Dialogue Between Dashes": A Reconstructed Edition of Dubliners
  2. Valérie Bénéjam, Elizabeth M. Bonapfel
  3. pp. 35-51
  4. DOI: https://doi.org/10.1353/jjq.2019.0101
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  1. Budgeting the Self: Joyce's Letters to Stanislaus from Rome
  2. Xander Ryan
  3. pp. 53-66
  4. DOI: https://doi.org/10.1353/jjq.2019.0102
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  1. Stephen Dedalus from A Portrait of the Artist as a Young Man to Ulysses
  2. Luca Crispi
  3. pp. 67-79
  4. DOI: https://doi.org/10.1353/jjq.2019.0103
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  1. All the Way from Gibraltar
  2. Sam Slote
  3. pp. 81-92
  4. DOI: https://doi.org/10.1353/jjq.2019.0104
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  1. Joyce's Linguistic Skepticism: The Personal Library as a Cognitive Toolbox
  2. Dirk Van Hulle
  3. pp. 93-105
  4. DOI: https://doi.org/10.1353/jjq.2019.0105
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  1. Restacking Joyce's Library
  2. Ronan Crowley
  3. pp. 107-118
  4. DOI: https://doi.org/10.1353/jjq.2019.0106
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  1. Current JJ Checklist (136)
  2. William S. Brockman
  3. pp. 119-133
  4. DOI: https://doi.org/10.1353/jjq.2019.0107
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  1. "Built with glue and clippings": Joyce, Clipping Bureaus, and the Art of Recycling
  2. Dipanjan Maitra
  3. pp. 135-140
  4. DOI: https://doi.org/10.1353/jjq.2019.0108
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  1. Creative Processes in the Two French Translations of "Sirens"
  2. Flavie Épié
  3. pp. 141-146
  4. DOI: https://doi.org/10.1353/jjq.2019.0109
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  1. Conjuring the Shades of Queen Victoria in Ulysses
  2. Ann Wilson Green
  3. pp. 146-153
  4. DOI: https://doi.org/10.1353/jjq.2019.0081
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  1. A Halt for Hearsake: Data Modeling for a Digital Genetic Edition of Finnegans Wake II.2§6
  2. Halila Bayramova
  3. pp. 153-157
  4. DOI: https://doi.org/10.1353/jjq.2019.0082
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  1. The James Joyce Digital Archive
  2. Danis Rose, John O'Hanlon, Stacey Herbert
  3. pp. 158-163
  4. DOI: https://doi.org/10.1353/jjq.2019.0083
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  1. Open Editions Online
  2. Jonathan Reeve, Hans Walter Gabler
  3. pp. 163-172
  4. DOI: https://doi.org/10.1353/jjq.2019.0084
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  1. Penelope Says
  2. Robert Berry
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/jjq.2019.0085
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  1. "Ulysses" In West Britain: James Joyce's Dublin and Dubliners by Michael Murphy (review)
  2. Marian Eide
  3. pp. 178-182
  4. DOI: https://doi.org/10.1353/jjq.2019.0087
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  1. James Joyce's "Portrait": A New Reading by David Pierce (review)
  2. Greg Winston
  3. pp. 182-186
  4. DOI: https://doi.org/10.1353/jjq.2019.0088
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  1. "Ulysses," Film and Visual Culture by Philip Sicker (review)
  2. Garry Leonard
  3. pp. 186-191
  4. DOI: https://doi.org/10.1353/jjq.2019.0089
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  1. De Shylock À Cinoc: Essai Sur Les Judaïsmes Apocryphes by Philippe Zard (review)
  2. Valérie Bénéjam
  3. pp. 196-200
  4. DOI: https://doi.org/10.1353/jjq.2019.0091
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  1. At Fault: Joyce and the Crisis of the Modern University by Sebastian D. G. Knowles (review)
  2. Colleen Jaurretche
  3. pp. 200-203
  4. DOI: https://doi.org/10.1353/jjq.2019.0092
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  1. James Joyce's Silences ed. by Jolanta Wawrzycka and Serenella Zanotti (review)
  2. Omer Kazmi
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/jjq.2019.0093
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  1. Invalid Modernism: Disability and the Missing Body of the Aesthetic by Michael Davidson (review)
  2. Jeremy Colangelo
  3. pp. 206-209
  4. DOI: https://doi.org/10.1353/jjq.2019.0094
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  1. Beckett's Political Imagination by Emilie Morin (review)
  2. Erika Mihálycsa
  3. pp. 209-215
  4. DOI: https://doi.org/10.1353/jjq.2019.0095
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  1. Contributors
  2. pp. 217-221
  3. DOI: https://doi.org/10.1353/jjq.2019.0096
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