1. From the Editors
  2. p. 231
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  1. “The Juniper Tree” as Primal Scene: English-Language Literary Adaptations since 1985
  2. Wyatt Bonikowski
  3. pp. 235-258
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  1. Returning the Gaze: “Cinderella” as Intertext in Margaret Atwood’s Oryx and Crake
  2. Rona May-Ron
  3. pp. 259-282
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  1. “The Snow Queen” in Russian Fan Fiction: Voices of Readers and Viewers
  2. Tatjana Menise
  3. pp. 283-301
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  1. Real Women Have Skins: The Enchanted Bride Tale in Her Body and Other Parties
  2. Jessica Campbell
  3. pp. 302-318
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  1. Entitled to a Happy Ending: Fairy-Tale Logic from “Beauty and the Beast” to the Incel Movement
  2. Shannan Palma
  3. pp. 319-337
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  1. The Mabinogion by Sioned Davies (review)
  2. Jacqueline N. Smith
  3. pp. 341-343
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  1. Debating Disney: Pedagogical Perspectives on Commercial Cinema ed. by Douglas Brode and Shea T. Brode (review)
  2. Ida Yoshinaga
  3. pp. 343-344
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  1. It’s the Disney Version! Popular Cinema and Literary Classics ed. by Douglas Brode and Shea T. Brode (review)
  2. Jeannie Coutant
  3. pp. 345-348
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  1. All Kinds of Fur: Erasure Poems & New Translation of a Tale from the Brothers Grimm by Margaret Yocom (review)
  2. Jeana Jorgensen
  3. pp. 348-349
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  1. Dancing the Fairy Tale: Producing and Performing “The Sleeping Beauty.” by Laura Katz Rizzo (review)
  2. Abigail Keyes
  3. pp. 350-352
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  1. Making a Splash: Mermaids (and Mermen) in 20th and 21st Century Audio-visual Media by Philip Hayward (review)
  2. Lucy Fraser
  3. pp. 352-354
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  1. The Maltese Cinderella and the Women’s Storytelling Tradition by Veronica Veen (review)
  2. Martin Lovelace, Pauline Greenhill
  3. pp. 354-356
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  1. Patricia A. McKillip and the Art of Fantasy World-Building by Audrey Isabel Taylor (review)
  2. Angelina Dulong
  3. pp. 359-361
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  1. Tales of Wonder: Retelling Fairy Tales through Picture Postcards by Jack Zipes (review)
  2. Kirsten Rae Simonsen
  3. pp. 361-363
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  1. Critical Exchanges
  2. p. 364
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  1. Contributors
  2. pp. 365-367
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  1. Index to Volume 33 (2019)
  2. pp. 368-370
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