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Table of Contents

  1. Editor's Note
  3. p. 365
  4. DOI: https://doi.org/10.1353/sls.2020.0012
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  1. Creative Sign Language in the Southern Hemisphere
  2. Rachel Sutton-Spence, Michiko Kaneko
  3. pp. 367-374
  4. DOI: https://doi.org/10.1353/sls.2020.0014
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  1. The Experiences of Literary Hands
  2. Cláudio Henrique Nunes Mourão, Lodenir Becker Karnopp
  3. pp. 375-391
  4. DOI: https://doi.org/10.1353/sls.2020.0015
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  1. The Relationship between Text and Image on Literary Productions in Libras
  2. Ricardo Oliveira Barros, Saulo Zulmar Vieira
  3. pp. 392-410
  4. DOI: https://doi.org/10.1353/sls.2020.0005
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  1. Libras Humor: Playing with the Internal Structure of Signs
  2. Jaqueline Boldo, Rachel Sutton-Spence
  3. pp. 411-433
  4. DOI: https://doi.org/10.1353/sls.2020.0007
  5. restricted access
  1. "Trousers 2, Dress 1": Performing Intersecting Queer, Deaf, African Identities in a Signed Renga (Collaborative Poem)
  2. Ruth Z. Morgan, Rezenet Moges, John Meletse, Daline Maasdorp
  3. pp. 434-466
  4. DOI: https://doi.org/10.1353/sls.2020.0008
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  1. Onomatopoeic Mouth Gestures in Creative Sign Language
  2. Michiko Kaneko
  3. pp. 467-490
  4. DOI: https://doi.org/10.1353/sls.2020.0009
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  1. Visual Vernacular in South African Sign Language
  2. Atiyah Asmal, Michiko Kaneko
  3. pp. 491-517
  4. DOI: https://doi.org/10.1353/sls.2020.0010
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  1. Grammar of Polish Sign Language as Compared to Grammar of Polish Language: Selected Themes
  2. Wiktor Eźlakowski
  3. pp. 518-532
  4. DOI: https://doi.org/10.1353/sls.2020.0011
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  1. The Academic Foundations of Interpreting Studies: An Introduction to Its Theories by Cynthia B. Roy, Jeremy L. Brunson, and Christopher A. Stone (review)
  2. Lorraine Leeson
  3. pp. 533-540
  4. DOI: https://doi.org/10.1353/sls.2020.0013
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  1. Announcement: African Sign Languages Resource Center (ASLRC)
  2. Eyasu Hailu Tamene
  3. pp. 541-542
  4. DOI: https://doi.org/10.1353/sls.2020.0016
  5. restricted access