1. Passages, Transits, Flows: Thinking Central American Literature Across Space, Time, and Capital
  2. Sophie Esch
  3. pp. 7-24
  4. DOI: 10.1353/rvs.2020.0009
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  1. Noir Geographies in Chronicles of Central Americans Crossing Mexico: Los migrantes que no importan by Óscar Martínez
  2. Alicia Z. Miklos
  3. pp. 25-48
  4. DOI: 10.1353/rvs.2020.0012
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  1. The Spectacle of Peace and the Politics of Memory in Postwar El Salvador: On Miguel Huezo Mixco's La casa de Moravia
  2. Nanci Buiza
  3. pp. 73-92
  4. DOI: 10.1353/rvs.2020.0003
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  1. Cartographies of Justice and Rights in Ronald Flores's Último silencio
  2. Vinodh Venkatesh
  3. pp. 93-115
  4. DOI: 10.1353/rvs.2020.0000
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  1. Freud: cocaína y América Latina, el continente más oscuro
  2. Francisco Leal
  3. pp. 137-158
  4. DOI: 10.1353/rvs.2020.0010
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  1. La niña y el soberano: género, sacrificio y poder en Ortega y Zambrano
  2. Carlos Varón González
  3. pp. 159-184
  4. DOI: 10.1353/rvs.2020.0002
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  1. Una tarde con campanas de Juan Carlos Méndez Guédez: El despertar de la literatura migrante hispanoamericana en España
  2. Aurelio Auseré Abarca
  3. pp. 185-205
  4. DOI: 10.1353/rvs.2020.0032
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  1. "Este maldito linaje": maurofilia o maurofobia en Jorge Toledano, de Lope de Vega
  2. Natalio Ohanna
  3. pp. 207-227
  4. DOI: 10.1353/rvs.2020.0013
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  1. A Nightmare on the Horizon: Sarmiento's Oriental Pampas in Borges's "El Sur"
  2. Allison E. White
  3. pp. 229-251
  4. DOI: 10.1353/rvs.2020.0001
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  1. Crítica de la razón andina ed. by Carlos Abreu Mendoza, y Denise Y. Arnold (review)
  2. Anne Lambright
  3. pp. 283-285
  4. DOI: 10.1353/rvs.2020.0027
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  1. The Darkening Nation: Race, Neoliberalism and Crisis in Argentina by Ignacio Aguiló (review)
  2. Cynthia Tompkins
  3. pp. 285-287
  4. DOI: 10.1353/rvs.2020.0030
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  1. Latin American Textualities: History, Materiality, and Digital Media ed. by Heather J. Allen, and Andrew R. Reynolds (review)
  2. Shelley Garrigan
  3. pp. 288-290
  4. DOI: 10.1353/rvs.2020.0025
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  1. Homenaje a Jaime Concha. Releyendo a contraluz ed. by Ignacio Álvarez, Luis Martín-Cabrera, y Greg Dawes (review)
  2. Francisco Leal
  3. pp. 290-293
  4. DOI: 10.1353/rvs.2020.0028
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  1. Para una teoría del arte en Historia y estilo, de Jorge Mañach by Yaneidys Arencibia Coloma (review)
  2. Christina García
  3. pp. 293-295
  4. DOI: 10.1353/rvs.2020.0024
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  1. How Borges Wrote by Daniel Balderston (review)
  2. José J. Álvarez
  3. pp. 295-297
  4. DOI: 10.1353/rvs.2020.0015
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  1. Modernity at Gunpoint: Firearms, Politics, and Culture in Mexico and Central America by Sophie Esch (review)
  2. Carolyn Fornoff
  3. pp. 297-299
  4. DOI: 10.1353/rvs.2020.0023
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  1. Civil Obedience. Complicity and Complacency in Chile Since Pinochet by Michael Lazzara (review)
  2. Fernando A. Blanco
  3. pp. 302-304
  4. DOI: 10.1353/rvs.2020.0017
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  1. The Projected Nation: Argentine Cinema and the Social Margins by Matt Losada (review)
  2. Constanza Burucúa
  3. pp. 304-306
  4. DOI: 10.1353/rvs.2020.0019
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  1. The Senses of Democracy: Perception, Politics, and Culture in Latin America by Francine R. Masiello (review)
  2. Jerónimo Arellano
  3. pp. 307-309
  4. DOI: 10.1353/rvs.2020.0016
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  1. The Image of Elizabeth I in Early Modern Spain ed. by Eduardo Olid Guerrero, and Esther Fernández (review)
  2. Noelia Cirnigliaro
  3. pp. 309-312
  4. DOI: 10.1353/rvs.2020.0020
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  1. La India María: Mexploitation and the Films of María Elena Velasco by Seraina Rohrer (review)
  2. Nilo Couret
  3. pp. 312-314
  4. DOI: 10.1353/rvs.2020.0021
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  1. A Companion to José Enrique Rodó by Gustavo San Román (review)
  2. Gonzalo Aguiar Malosetti
  3. pp. 315-318
  4. DOI: 10.1353/rvs.2020.0014
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  1. Subject, Structure, and Imagination in the Spanish Discourse on Modernity by Christopher Soufas Jr (review)
  2. William Viestenz
  3. pp. 318-320
  4. DOI: 10.1353/rvs.2020.0031
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  1. Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema by Cynthia Margarita Tompkins (review)
  2. Julia Brown
  3. pp. 322-324
  4. DOI: 10.1353/rvs.2020.0018
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  1. The Unfinished Art of Theater. Avant-Garde Intellectuals in Mexico and Brazil by Sarah J. Townsend (review)
  2. Jairo Antonio Hoyos
  3. pp. 325-327
  4. DOI: 10.1353/rvs.2020.0026
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