1. Tejumola “Teju” Olaniyan: In Memoriam (1959–2019)
  2. Salah M. Hassan
  3. pp. 4-5
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  1. From the Editor
  2. Salah M. Hassan
  3. pp. 6-7
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  1. Contemporary African Art as a Paradox: Is “Afropolitan” the Answer?
  2. Salah M. Hassan
  3. pp. 8-26
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  1. Universal History Upside Down: Reflections on Hegel and Haiti
  2. Susan Buck-Morss
  3. pp. 28-39
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  1. Means and Seas
  2. Siegfried Zielinski
  3. pp. 40-54
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  1. Afropolitanism
  2. Achille Mbembe, Laurent Chauvet
  3. pp. 56-61
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  1. Nationalism and Cosmopolitanism
  2. Manuela Ribeiro Sanches
  3. pp. 62-71
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  1. The Universal Museum: How the New Germany Built its Future on Colonial Amnesia
  2. Fatima El-Tayeb
  3. pp. 72-82
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  1. On Cosmopolitanism, Xenophobia, and Migration: An Artist’s Journey
  2. Berni Searle
  3. pp. 84-99
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  1. The Museum of Modern Art and the History of Modernism
  2. Hans Belting
  3. pp. 100-114
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  1. Beyond Multiple Modernities: East African Port Cities as the Space Between
  2. Prita Meier
  3. pp. 116-125
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  1. Cosmopolitan Interest Rates
  2. Tejumola Olaniyan
  3. pp. 126-135
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  1. Bringing Afropolitanism to the Arctic Circle
  2. Selene Wendt
  3. pp. 136-150
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  1. Nudity and Pleasure
  2. Naminata Diabate
  3. pp. 152-166
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  1. Practicing Art in Revolutionary Times
  2. Bahia Shehab
  3. pp. 168-178
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  1. Sublime Seas: John Akomfrah and J. M. W. Turner (review)
  2. Brett M. Van Hoesen
  3. pp. 180-183
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  1. Silence: Ephrem Solomon (review)
  2. Jareh Das
  3. pp. 184-185
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