1. Introduction
  2. Claudia Esposito
  3. pp. 7-14
  4. DOI: 10.1353/exp.2020.0000
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  1. Écrire après la décennie noire ? L'œuvre expérimentale « d'intervention » de Mustapha Benfodil ou l'urgence du lire
  2. Alexandra Gueydan-Turek
  3. pp. 15-32
  4. DOI: 10.1353/exp.2020.0001
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  1. Mobile and Captive Geometries: From Hurufiya to Video in Abdelkébir Khatibi, Mounir Fatmi, and Bouchra Khalili
  2. David Fieni
  3. pp. 33-47
  4. DOI: 10.1353/exp.2020.0002
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  1. La photo-broderie de Carolle Bénitah : commémoration, transgression et réinvention de soi
  2. Naïma Hachad
  3. pp. 49-69
  4. DOI: 10.1353/exp.2020.0003
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  1. Pour une nouvelle esthétique culturelle du Maghreb : l'intersectionnalité chez Zoulikha Bouabdellah
  2. Ramona Mielusel
  3. pp. 71-86
  4. DOI: 10.1353/exp.2020.0004
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  1. Dora Latiri's Un amour de tn. Textual and Photographic Representations of Attachment in a Minimalistic Tunisia
  2. Anna Rocca
  3. pp. 87-106
  4. DOI: 10.1353/exp.2020.0005
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  1. De « River of no Return » à « Trouble of the World » : Parcours initiatique musical dans Infidèles (2012) d'Abdellah Taïa
  2. Siham Bouamer
  3. pp. 107-124
  4. DOI: 10.1353/exp.2020.0006
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  1. Le siècle de la réparation : Entre hainamoration du contemporain et empathie. Une conversation avec Kader Attia
  2. Claudia Esposito, Kader Attia
  3. pp. 125-139
  4. DOI: 10.1353/exp.2020.0007
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  1. (Re)Invention of Tradition, Subversive Memory, and Morocco's Re-Amazighization: From Erasure of Imazighen to the Performance of Tifinagh in Public Life
  2. Brahim El Guabli
  3. pp. 143-168
  4. DOI: 10.1353/exp.2020.0008
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  1. Notices bio-bibliographiques
  3. pp. 169-173
  4. DOI: 10.1353/exp.2020.0009
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