In this Issue

Table of Contents

Listening, Touching, Meaning: On Translating Musical Experience, Answering the Call of Art, and Aesthetic Subjectivity in Baudelaire and Proust

Joseph Acquisto
pp. 597-614
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Grieg As Storyteller: The Poetics of the Ballade in G Minor, Op. 24

Gregory Martin
pp. 615-653
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Sonic 'Detheatricalization': Jean Cocteau, Film Music, and 'Les Parents Terribles'

Laura Anderson
pp. 654-684
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'Come and See the Blood in the Streets': Luciano Berio, 'Coro', and the Affective Staging of the One-Crowd

James Davis
pp. 685-712
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Polyphony in Medieval Paris: The Art of Composing with Plainchant by Catherine A. Bradley (review)

Thomas B. Payne
pp. 713-715
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The Production and Reading of Music Sources: Miseen-page in Manuscripts and Printed Books containing Polyphonic Music, 1480–1530 ed. by Thomas Schmidt and Christian Thomas Leitmeir (review)

Elisabeth Giselbrecht
pp. 716-719
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With Mornefull Musique: Funeral Elegies in Early Modern England by K. Dawn Grapes (review)

Kirsten Gibson
pp. 719-722
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Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform by Margaret R. Butler (review)

David Charlton
pp. 722-724
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Music for St Cecilia's Day from Purcell to Handel by Bryan White (review)

Alan Howard
pp. 724-728
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Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin ed. by Rebecca Cypess and Nancy Sinkoff (review)

Susan Wollenberg
pp. 728-730
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Beethoven's Symphonies: Nine Approaches to Art and Ideas by Martin Geck (review)

Scott Burnham
pp. 730-733
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Rimsky-Korsakov and his World ed. by Marina Frolova-Walker (review)

Tamsin Alexander
pp. 733-735
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The Notebooks of Alexander Skryabin by Simon Nicholls and Michael Pushkin (review)

Simon Morrison
pp. 736-738
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Debussy's Resonance ed. by François de Médicis and Steven Huebner (review)

Deborah Mawer
pp. 738-740
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Discordant Notes: Marginality and Social Control in Madrid, 1850–1930 by Samuel Llano (review)

Eva Moreda Rodríguez
pp. 740-742
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Music, Modern Culture, and the Critical Ear ed. by Nicholas Attfield and Ben Winters (review)

Daniel Elphick
pp. 742-744
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Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge (review)

Karen Leistra-Jones
pp. 744-747
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Hanns Eisler's Art Songs: Arguing with Beauty by Heidi Hart (review)

Florian Scheding
pp. 747-749
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Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde by Jennifer Iverson (review)

James Davis
pp. 749-753
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Music after the Fall: Modern Composition and Culture since 1989 by Tim Rutherford-Johnson (review)

Natalie Farrell
pp. 753-755
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Being Time: Case Studies in Musical Temporality by Richard Glover (review)

Jason Noble
pp. 755-757
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The Cambridge Encyclopedia of Brass Instruments ed. by Trevor Herbert, Arnold Myers, and John Wallace (review)

Jack Adler-Mckean
pp. 757-760
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Musical Vitalities: Ventures in a Biotic Aesthetics of Music by Holly Watkins (review)

James Garratt
pp. 760-762
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Good Music: What It Is and Who Gets to Decide by John J. Sheinbaum (review)

James R. Currie
pp. 762-764
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'Music & Letters' Awards

p. 767
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Books Received

pp. 768-771
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Authors of Articles in this Issue

p. 777
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