1. Listening, Touching, Meaning: On Translating Musical Experience, Answering the Call of Art, and Aesthetic Subjectivity in Baudelaire and Proust
  2. Joseph Acquisto
  3. pp. 597-614
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  1. Grieg As Storyteller: The Poetics of the Ballade in G Minor, Op. 24
  2. Gregory Martin
  3. pp. 615-653
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  1. Sonic 'Detheatricalization': Jean Cocteau, Film Music, and 'Les Parents Terribles'
  2. Laura Anderson
  3. pp. 654-684
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  1. 'Come and See the Blood in the Streets': Luciano Berio, 'Coro', and the Affective Staging of the One-Crowd
  2. James Davis
  3. pp. 685-712
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  1. Polyphony in Medieval Paris: The Art of Composing with Plainchant by Catherine A. Bradley (review)
  2. Thomas B. Payne
  3. pp. 713-715
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  1. The Production and Reading of Music Sources: Miseen-page in Manuscripts and Printed Books containing Polyphonic Music, 1480–1530 ed. by Thomas Schmidt and Christian Thomas Leitmeir (review)
  2. Elisabeth Giselbrecht
  3. pp. 716-719
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  1. With Mornefull Musique: Funeral Elegies in Early Modern England by K. Dawn Grapes (review)
  2. Kirsten Gibson
  3. pp. 719-722
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  1. Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform by Margaret R. Butler (review)
  2. David Charlton
  3. pp. 722-724
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  1. Music for St Cecilia's Day from Purcell to Handel by Bryan White (review)
  2. Alan Howard
  3. pp. 724-728
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  1. Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin ed. by Rebecca Cypess and Nancy Sinkoff (review)
  2. Susan Wollenberg
  3. pp. 728-730
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  1. Beethoven's Symphonies: Nine Approaches to Art and Ideas by Martin Geck (review)
  2. Scott Burnham
  3. pp. 730-733
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  1. Rimsky-Korsakov and his World ed. by Marina Frolova-Walker (review)
  2. Tamsin Alexander
  3. pp. 733-735
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  1. The Notebooks of Alexander Skryabin by Simon Nicholls and Michael Pushkin (review)
  2. Simon Morrison
  3. pp. 736-738
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  1. Debussy's Resonance ed. by François de Médicis and Steven Huebner (review)
  2. Deborah Mawer
  3. pp. 738-740
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  1. Discordant Notes: Marginality and Social Control in Madrid, 1850–1930 by Samuel Llano (review)
  2. Eva Moreda Rodríguez
  3. pp. 740-742
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  1. Music, Modern Culture, and the Critical Ear ed. by Nicholas Attfield and Ben Winters (review)
  2. Daniel Elphick
  3. pp. 742-744
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  1. Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge (review)
  2. Karen Leistra-Jones
  3. pp. 744-747
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  1. Hanns Eisler's Art Songs: Arguing with Beauty by Heidi Hart (review)
  2. Florian Scheding
  3. pp. 747-749
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  1. Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde by Jennifer Iverson (review)
  2. James Davis
  3. pp. 749-753
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  1. Music after the Fall: Modern Composition and Culture since 1989 by Tim Rutherford-Johnson (review)
  2. Natalie Farrell
  3. pp. 753-755
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  1. Being Time: Case Studies in Musical Temporality by Richard Glover (review)
  2. Jason Noble
  3. pp. 755-757
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  1. The Cambridge Encyclopedia of Brass Instruments ed. by Trevor Herbert, Arnold Myers, and John Wallace (review)
  2. Jack Adler-Mckean
  3. pp. 757-760
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  1. Musical Vitalities: Ventures in a Biotic Aesthetics of Music by Holly Watkins (review)
  2. James Garratt
  3. pp. 760-762
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  1. Good Music: What It Is and Who Gets to Decide by John J. Sheinbaum (review)
  2. James R. Currie
  3. pp. 762-764
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  1. 'Music & Letters' Awards
  3. p. 767
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  1. Books Received
  3. pp. 768-771
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  1. Authors of Articles in this Issue
  3. p. 777
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