Interview

  1. Who Am I Doing This For?: The Dirty Subjectivities of AnnaMaria Pinaka
  2. Nadia De Vries, AnnaMaria Pinaka
  3. pp. 1-18
  4. DOI: 10.1353/asa.2020.0000
  5. free access
    • View HTML View
    • Download PDF Download
    contents

Dialogue

  1. Abstracting Otherwise: In Search for a Common Strategy of Arts and Computing
  2. Goda Klumbytė, Loren Britton
  3. pp. 19-43
  4. DOI: 10.1353/asa.2020.0001
  5. free access
    • View HTML View
    • Download PDF Download
    contents

Articles

  1. Singing With Nanook of the North: On Tanya Tagaq, Feeling Entangled, and Colonial Archives of Indigeneity
  2. Olivia Michiko Gagnon
  3. pp. 45-78
  4. DOI: 10.1353/asa.2020.0002
  5. free access
    • View HTML View
    • Download PDF Download
    contents
  1. The Reader’s Share: Christine Brooke-Rose and the Persistence of Objects
  2. Davis Smith-Brecheisen
  3. pp. 79-99
  4. DOI: 10.1353/asa.2020.0003
  5. free access
    • View HTML View
    • Download PDF Download
    contents
  1. Early Video Art, Educational Television, and the Positivity of Practice
  2. Timothy Ridlen
  3. pp. 101-128
  4. DOI: 10.1353/asa.2020.0004
  5. free access
    • View HTML View
    • Download PDF Download
    contents
  1. Apocalyptic Allegories and Post-Apocalyptic Utopias: Saramago’s A Caverna and Sánchez and Pita’s Lunar Braceros
  2. Micah Donohue
  3. pp. 129-151
  4. DOI: 10.1353/asa.2020.0005
  5. free access
    • View HTML View
    • Download PDF Download
    contents
  1. Moving Forms: Individuals, Institutions, and the Production of Slam Poetry Networks in Southern Africa
  2. Susanna L. Sacks
  3. pp. 153-179
  4. DOI: 10.1353/asa.2020.0006
  5. free access
    • View HTML View
    • Download PDF Download
    contents
  1. David Mitchell’s Storytelling and the Metalife of Utopia
  2. Mitch R. Murray
  3. pp. 181-202
  4. DOI: 10.1353/asa.2020.0007
  5. free access
    • View HTML View
    • Download PDF Download
    contents