In this Issue

Table of Contents

Who Am I Doing This For?: The Dirty Subjectivities of AnnaMaria Pinaka

Nadia De Vries, AnnaMaria Pinaka
pp. 1-18
DOI: https://doi.org/10.1353/asa.2020.0000
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Abstracting Otherwise: In Search for a Common Strategy of Arts and Computing

Goda Klumbytė, Loren Britton
pp. 19-43
DOI: https://doi.org/10.1353/asa.2020.0001
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Singing With Nanook of the North: On Tanya Tagaq, Feeling Entangled, and Colonial Archives of Indigeneity

Olivia Michiko Gagnon
pp. 45-78
DOI: https://doi.org/10.1353/asa.2020.0002
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The Reader’s Share: Christine Brooke-Rose and the Persistence of Objects

Davis Smith-Brecheisen
pp. 79-99
DOI: https://doi.org/10.1353/asa.2020.0003
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Early Video Art, Educational Television, and the Positivity of Practice

Timothy Ridlen
pp. 101-128
DOI: https://doi.org/10.1353/asa.2020.0004
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Apocalyptic Allegories and Post-Apocalyptic Utopias: Saramago’s A Caverna and Sánchez and Pita’s Lunar Braceros

Micah Donohue
pp. 129-151
DOI: https://doi.org/10.1353/asa.2020.0005
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Moving Forms: Individuals, Institutions, and the Production of Slam Poetry Networks in Southern Africa

Susanna L. Sacks
pp. 153-179
DOI: https://doi.org/10.1353/asa.2020.0006
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David Mitchell’s Storytelling and the Metalife of Utopia

Mitch R. Murray
pp. 181-202
DOI: https://doi.org/10.1353/asa.2020.0007
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