1. The Concealed and the Revealed: Dantean Subtexts and Petrarchan Identity in the Africa
  2. Kevin Brownlee
  3. pp. 1-16
  4. DOI: 10.1353/mln.2020.0012
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  1. "Amor co la man dextra il lato manco" (Rvf 228) as Allegory of Religious Veneration
  2. Thomas E. Peterson
  3. pp. 17-33
  4. DOI: 10.1353/mln.2020.0013
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  1. Making Sense of Form: The Semantic Implications of Structure in Petrarch's Double Sestina
  2. Kristján Hannesson
  3. pp. 34-54
  4. DOI: 10.1353/mln.2020.0014
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  1. Italian Sermons in Early Modern Europe
  2. Erminia Ardissino
  3. pp. 55-83
  4. DOI: 10.1353/mln.2020.0015
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  1. From Private Adventures to Public Rituals: The Finale as the Sanction of a Contract in Ludovico Ariosto's Comedies
  2. Francesco Samarini
  3. pp. 84-102
  4. DOI: 10.1353/mln.2020.0016
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  1. The Lunatic, Lover, and Poet in Orlando Furioso and As You Like It
  2. Giulia Andreoni
  3. pp. 103-124
  4. DOI: 10.1353/mln.2020.0017
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  1. Il baule dell'impresario. Un caso di circolazione dei repertori operistici tra Venezia e Mosca
  2. Tatiana Korneeva
  3. pp. 125-151
  4. DOI: 10.1353/mln.2020.0018
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  1. The (Un)Masking of Patriarchal Power in Pirandello's Six Characters in Search of an Author and Clothing the Naked
  2. Alberica Bazzoni
  3. pp. 152-174
  4. DOI: 10.1353/mln.2020.0019
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  1. Grazia Deledda and the Transgressive Power of Writing as Poiēsis
  2. Margherita Heyer-Caput
  3. pp. 175-202
  4. DOI: 10.1353/mln.2020.0020
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  1. Staging (or Not Staging) Ovid for Modern(ist) Self-Fashioning
  2. Alessandro Giammei, Taylor Yoonji Kang
  3. pp. 203-230
  4. DOI: 10.1353/mln.2020.0021
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  1. Il chewing gum di Primo Levi. Piccola semantica della resistenza al tempo dell'Antropocene
  2. Serenella Iovino
  3. pp. 231-254
  4. DOI: 10.1353/mln.2020.0000
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  1. Italo Calvino's Oulipian Clinamen
  2. Natalie Berkman
  3. pp. 255-280
  4. DOI: 10.1353/mln.2020.0001
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  1. Sanguineti, Mantegna, e l'ekphrasis tra omaggio e dissacrazione
  2. Andrea Mirabile
  3. pp. 281-301
  4. DOI: 10.1353/mln.2020.0002
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  1. Italian Ecopoetry, or the Art of Reading through Negativity
  2. Danila Cannamela
  3. pp. 302-326
  4. DOI: 10.1353/mln.2020.0003
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  1. The Grammar of Abandonment in I giorni dell'abbandono
  2. Victor Xavier Zarour Zarzar
  3. pp. 327-344
  4. DOI: 10.1353/mln.2020.0004
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  1. Writing Beloveds: Humanist Petrarchism and the Politics of Gender by Aileen A. Feng (review)
  2. Tatiana Avesani
  3. pp. 345-348
  4. DOI: 10.1353/mln.2020.0005
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  1. Le voci arcane. Palcoscenici del potere nel teatro e nell'opera by Tatiana Korneeva (review)
  2. Irina Freixeiro Ayo
  3. pp. 348-350
  4. DOI: 10.1353/mln.2020.0006
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  1. Teaching the Italian Renaissance Romance Epic ed. by Jo Ann Cavallo (review)
  2. Samuel Zawacki
  3. pp. 350-353
  4. DOI: 10.1353/mln.2020.0007
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  1. Laureatus in Urbe by Luca Marcozzi and Paolo Rigo (review)
  2. Alessio Panichi
  3. pp. 356-359
  4. DOI: 10.1353/mln.2020.0009
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  1. Italian Ecocinema Beyond the Human by Elana Past (review)
  2. Matteo Gilebbi
  3. pp. 359-362
  4. DOI: 10.1353/mln.2020.0010
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  1. Migrant Anxieties: Italian Cinema in a Transnational Frame by Áine O'Healy (review)
  2. Gaoheng Zhang
  3. pp. 363-365
  4. DOI: 10.1353/mln.2020.0011
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