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Table of Contents

  1. Awkwardly Unsettling Minstrel Realism and Lynch Mentality in Crane’s “The Monster”
  2. Ambar Meneses
  3. pp. 127-153
  4. DOI: https://doi.org/10.1353/san.2020.0003
  5. restricted access
  1. Degeneration and the Failure of Recognition in Harold Frederic’s The Damnation of Theron Ware
  2. Michael James Rizza
  3. pp. 154-179
  4. DOI: https://doi.org/10.1353/san.2020.0004
  5. restricted access
  1. Nordau, Darkly: The Degenerating Aesthetics of Frank Norris’s Vandover and the Brute
  2. Lina Kuhn
  3. pp. 180-202
  4. DOI: https://doi.org/10.1353/san.2020.0005
  5. restricted access
  1. “He forgot the pain of his life”: Cormac McCarthy’s Cities of the Plain and the Affordances of Optical Democracy
  2. Fredrik Svensson
  3. pp. 203-224
  4. DOI: https://doi.org/10.1353/san.2020.0006
  5. restricted access
  1. Frank Norris and American Naturalism by Donald Pizer (review)
  2. John Dudley
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/san.2020.0000
  5. restricted access
  1. Narrative Machine: The Naturalist, Modernist, and Postmodernist Novel by Zena Meadowsong (review)
  2. Dan Colson
  3. pp. 228-232
  4. DOI: https://doi.org/10.1353/san.2020.0001
  5. restricted access
  1. Picture by Lillian Ross (review)
  2. Kevin J. Hayes
  3. pp. 232-236
  4. DOI: https://doi.org/10.1353/san.2020.0002
  5. restricted access