1. Pedro, homo patiens. La biopolítica franquista en Tiempo de silencio
  2. Antonio Parrilla Recuero
  3. pp. 409-420
  4. DOI: 10.1353/rmc.2019.0036
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  1. Poesia e subversão: o corpo feminino como ferramenta política em Sangria, de Luíza Romão
  2. María Teresa Bermúdez Montes
  3. pp. 421-434
  4. DOI: 10.1353/rmc.2019.0037
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  1. Contaminazione formale e culturale ne Il padre selvaggio di Pier Paolo Pasolini
  2. Claudia Romanelli
  3. pp. 435-446
  4. DOI: 10.1353/rmc.2019.0038
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  1. La tierra es nuestra: revisiones nerudianas a Whitman en “Que despierte el Leñador” del Canto general (1950)
  2. Stephanie R. Gates
  3. pp. 447-458
  4. DOI: 10.1353/rmc.2019.0039
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  1. Femme Fatale or Feminist Heroine? Interpreting Manon Lescaut
  2. Amy S. Wyngaard
  3. pp. 459-470
  4. DOI: 10.1353/rmc.2019.0040
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  1. Le vittorie d’amore: los impresos calderonianos de Mateo Cosmerovio en la corte de Viena*
  2. María Carbajo Lago
  3. pp. 471-483
  4. DOI: 10.1353/rmc.2019.0041
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  1. Truth and Travesti(e)s in Rubem Fonseca’s and HBO’s “Dia dos Namorados”
  2. Katherine Ostrom
  3. pp. 485-495
  4. DOI: 10.1353/rmc.2019.0042
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  1. Erotismo y crueldad en Memorias del subdesarrollo de Edmundo Desnoes
  2. Jorge Camacho
  3. pp. 497-507
  4. DOI: 10.1353/rmc.2019.0043
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  1. Le paradigme médical dans Les Amours du chevalier de Faublas de Louvet de Couvray
  2. Marco Menin
  3. pp. 509-520
  4. DOI: 10.1353/rmc.2019.0044
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  1. A ironia em Comédias brasileiras de verão, de Luis Fernando Verissimo
  2. Marcelo da Silva Amorim, Ricardo Alexandre Peixoto Barbosa
  3. pp. 521-533
  4. DOI: 10.1353/rmc.2019.0045
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  1. The Eternal Wait for “Godot” in García Márquez’s “No One Writes to the Colonel”
  2. Sudarsan Rangarajan
  3. pp. 535-546
  4. DOI: 10.1353/rmc.2019.0046
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  1. Crecer durante una guerra civil: un vistazo a Leona, o la fiera vida de Ángela Hernández
  2. Violeta Lorenzo Feliciano
  3. pp. 547-558
  4. DOI: 10.1353/rmc.2019.0047
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  1. Exploração sensorial em Dona Flor e Seus Dois Maridos, por Jorge Amado e Bruno Barreto
  2. Diana Simões
  3. pp. 559-570
  4. DOI: 10.1353/rmc.2019.0048
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  1. Who is ‘mestre Pedro’?: A Hypothesis for Zurara as Reader of the Crónica sarracina
  2. Ross Michael Karlan
  3. pp. 571-579
  4. DOI: 10.1353/rmc.2019.0049
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  1. Trayectorias poéticas de la memoria colectiva chilena: Ercilla en Neruda y Zurita
  2. Eva Valero Juan
  3. pp. 581-593
  4. DOI: 10.1353/rmc.2019.0050
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