1. Introduction to Special Issue
  2. Elsa Lankford, Laura Vazquez
  3. pp. 3-4
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  1. Media Arts Festivals: Scholarship and Artistry in Practice
  2. Elsa Lankford, Laura Vazquez
  3. pp. 5-20
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  1. Film Festivals of the 1970s and the Subject of Feminist Film Studies: Collaborations and Regimes of Knowledge Production
  2. Antoine Damiens
  3. pp. 21-32
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  1. The Beyond Babel Multilingual Film Festival
  2. Carmen Herrero
  3. pp. 33-45
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  1. The World Screen: Japan’s Cinematic Reinvention and International Film Festivals
  2. Lance Lomax
  3. pp. 46-57
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  1. FESPACO—Promoting African Film Development and Scholarship
  2. M. Africanus Aveh
  3. pp. 58-66
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  1. Activist Praxis Meets Project-Based Learning: A Case Study of Student Involvement at the Chicago Feminist Film Festival
  2. Susan Kerns, Michelle Yates
  3. pp. 67-72
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  1. Festival Mamas Building the Women’s Club: A Case Study
  2. Ann Breidenbach
  3. pp. 73-79
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  1. Constructing the Eternal Present: Chaplin’s Tramp as Lived Principle of Constructivist Organization
  2. Chris Bollini
  3. pp. 80-91
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  1. Backwards and in Heels: The Past, Present and Future of Women Working in Film by Alicia Malone (review)
  2. Gordon Alley-Young
  3. pp. 92-94
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  1. Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines (review)
  2. Rebecca M. Alvin
  3. pp. 94-95
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  1. The Long Take: Art Cinema and the Wondrous by Lutz Koepnick (review)
  2. Alex W. Bordino
  3. pp. 96-97
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  1. Beyond Method: Stella Adler and the Male Actor by Scott Balcerzak (review)
  2. Diane Carson
  3. pp. 98-100
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  1. Interpreting Anime by Christopher Bolton (review)
  2. William B. Covey
  3. pp. 100-102
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  1. Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter by Brian Price (review)
  2. Rani Deighe Crowe
  3. pp. 102-103
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  1. Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge by Becky Aikman (review)
  2. Lucas Cuny
  3. pp. 104-105
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  1. Going Viral: Zombies, Viruses, and the End of the World by Dahlia Schweitzer (review)
  2. Thomas Delapa
  3. pp. 105-107
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  1. Vampires, Race, and Transnational Hollywoods by Dale Hudson (review)
  2. Olga Gershenson
  3. pp. 107-109
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  1. Avant-Doc: Intersections of Avant-Garde Cinema by Scott MacDonald (review)
  2. Shara K. Lange
  3. pp. 109-111
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  1. I-Docs: The Evolving Practices of Interactive Documentary ed. by Judith Aston, Sandra Gaudenzi, and Mandy Rose (review)
  2. Michael R. Ogden
  3. pp. 111-113
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  1. Los Angeles Documentary and the Production of Public History, 1958–1977 by Joshua Glick (review)
  2. Joanna Randall
  3. pp. 113-115
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  1. Nobody’s Girl Friday by J. E. Smyth (review)
  2. Eileen White
  3. pp. 115-117
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