In this Issue

Table of Contents

Prologue

Laura Bass, Elizabeth R. Wright
pp. 5-6
DOI: https://doi.org/10.1353/boc.2019.0000
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John Jay Allen (1932–2019)

José María Ruano de la Haza
pp. 7-9
DOI: https://doi.org/10.1353/boc.2019.0001
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Discurso inaugural del coloquio Manos Teatrales, Culturas Materiales: los Itinerarios de Investigación de Margaret Greer

Ana Santos Aramburo
pp. 15-19
DOI: https://doi.org/10.1353/boc.2019.0002
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Las Sententiae de Andrés Eborense (Lyon, 1557) en las dedicatorias de comedias y en otras obras de Lope de Vega

Pedro Conde Parrado, Sónia Boadas
pp. 21-47
DOI: https://doi.org/10.1353/boc.2019.0003
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El texto de La adúltera penitente: comicidad, censura y exigencias escénicas en una comedia de santos

Fernando Rodríguez-Gallego
pp. 49-70
DOI: https://doi.org/10.1353/boc.2019.0004
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The Text of Calderón's Luis Pérez el gallego

Don W. Cruickshank
pp. 71-85
DOI: https://doi.org/10.1353/boc.2019.0005
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Everett Hesse, Vera Tassis y el texto de las comedias de Calderón

Erik Coenen
pp. 87-102
DOI: https://doi.org/10.1353/boc.2019.0006
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Lope's La dama boba and the Seduction of the Academy

Elizabeth Rhodes
pp. 103-117
DOI: https://doi.org/10.1353/boc.2019.0007
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Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare

David J. Amelang
pp. 119-134
DOI: https://doi.org/10.1353/boc.2019.0008
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La presencia escénica de Andrés de Claramonte en el Siglo de Oro a partir de las bases de datos Manos y CATCOM

Alejandro García-Reidy
pp. 135-154
DOI: https://doi.org/10.1353/boc.2019.0009
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Espejos sonoros en Eco y Narciso: un análisis cuantitativo y poético de la asonancia en Calderón

Simon Kroll
pp. 155-169
DOI: https://doi.org/10.1353/boc.2019.0010
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La primera puesta en escena de Los tres mayores prodigios de Calderón

Santiago Fernández Mosquera
pp. 171-186
DOI: https://doi.org/10.1353/boc.2019.0011
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El Coliseo del Buen Retiro y la diplomacia española del Barroco

Ignacio López Alemany
pp. 187-201
DOI: https://doi.org/10.1353/boc.2019.0012
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El muerto disimulado / Presumed Dead by Ângela de Azevedo (review)

Lisa Vollendorf
pp. 203-205
DOI: https://doi.org/10.1353/boc.2019.0013
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Cultures of the Fragment: Uses of the Iberian Manuscript, 1100–1600 by Heather Bamford (review)

Vincent Barletta
pp. 207-209
DOI: https://doi.org/10.1353/boc.2019.0014
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Theatre and the English Public from Reformation to Revolution by Katrin Beushausen (review)

Alejandro García-Reidy
pp. 211-213
DOI: https://doi.org/10.1353/boc.2019.0015
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The Oxford Handbook of Shakespeare and Performance ed. by James C. Bulman (review)

Susan L. Fischer
pp. 215-221
DOI: https://doi.org/10.1353/boc.2019.0016
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La cisma de Ingalaterra by Pedro Calderón de la Barca (review)

Roy Norton
pp. 223-226
DOI: https://doi.org/10.1353/boc.2019.0017
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Poesía by Pedro Calderón de la Barca (review)

Michael J. McGrath
pp. 227-229
DOI: https://doi.org/10.1353/boc.2019.0018
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El primer refugio del hombre y probática piscina by Pedro Calderón de la Barca (review)

José María Ruano de la Haza
pp. 231-234
DOI: https://doi.org/10.1353/boc.2019.0019
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Un castigo en tres venganzas by Pedro Calderón de la Barca (review)

María del Pilar Chouza-Calo
pp. 235-237
DOI: https://doi.org/10.1353/boc.2019.0020
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Las amazonas de España / La hazaña mayor de Alcides by José de Cañizares (review)

Susan Paun de García
pp. 239-242
DOI: https://doi.org/10.1353/boc.2019.0021
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La aparición de los libros plúmbeos y los modos de escribir la historia. De Pedro de Castro al Inca Garcilaso de la Vega by José Cárdenas Bunsen (review)

Emiro Martínez-Osorio
pp. 243-246
DOI: https://doi.org/10.1353/boc.2019.0022
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Nacer en palacio. El ritual del nacimiento en la corte de los Austrias by María Cruz de Carlos Varona (review)

Emilie L. Bergmann
pp. 247-249
DOI: https://doi.org/10.1353/boc.2019.0023
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El arte de la subversión en la España inquisitorial: Fernando de Rojas y Francisco Delicado (con dos notas de Cervantes) by Manuel da Costa Fontes (review)

Patricia W. Manning
pp. 251-254
DOI: https://doi.org/10.1353/boc.2019.0024
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Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment by Kelly Donahue-Wallace (review)

Luis J. Gordo-Peláez
pp. 255-258
DOI: https://doi.org/10.1353/boc.2019.0025
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Scots and Catalans: Union and Disunion by J. H. Elliott (review)

Alain Hugon
pp. 259-263
DOI: https://doi.org/10.1353/boc.2019.0026
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Hercules and the King of Portugal: Icons of Masculinity and Nation in Calderón's Spain by Dian Fox (review)

Robert ter Horst
pp. 265-268
DOI: https://doi.org/10.1353/boc.2019.0027
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Monarchy Transformed: Princes and Their Elites in Early Modern Western Europe ed. by Robert von Friedeburg and John Morrill (review)

Fabien Montcher
pp. 269-272
DOI: https://doi.org/10.1353/boc.2019.0028
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The Golden Age of Spanish Drama ed. by Barbara Fuchs (review)

Barbara Mujica
pp. 273-276
DOI: https://doi.org/10.1353/boc.2019.0029
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Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review)

Jean Dangler
pp. 277-281
DOI: https://doi.org/10.1353/boc.2019.0030
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Netherlandish Art and Luxury Goods in Renaissance Spain. Studies in Honor of Professor Jan Karel Steppe (1918–2009) by Daan van Heesch, Robrecht Janssen, and Jan Van der Stock (review)

Carmen Ripollés
pp. 283-286
DOI: https://doi.org/10.1353/boc.2019.0031
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Staging the Spanish Golden Age: Translation and Performance by Kathleen Jeffs (review)

Christopher C. Oechler
pp. 287-289
DOI: https://doi.org/10.1353/boc.2019.0032
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Disabled Bodies in Early Modern Spanish Literature. Prostitutes, Aging Women and Saints by Encarnación Juárez-Almendros (review)

Madeline Sutherland-Meier
pp. 291-293
DOI: https://doi.org/10.1353/boc.2019.0033
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Ambiguous Antidotes: Virtue as Vaccine for Vice in Early Modern Spain by Hilaire Kallendorf (review)

Shifra Armon
pp. 295-297
DOI: https://doi.org/10.1353/boc.2019.0034
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Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650–1750) by Theresa Varney Kennedy (review)

Sharon Diane Nell
pp. 299-301
DOI: https://doi.org/10.1353/boc.2019.0035
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Blood Matters: Studies in European Literature and Thought, 1400–1700 ed. by Bonnie Lander Johnson and Eleanor Decamp (review)

Ariane M. Balizet
pp. 303-305
DOI: https://doi.org/10.1353/boc.2019.0036
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Technologies of Theatre: Joseph Furttenbach and the Transfer of Mechanical Knowledge in Early Modern Theatre Cultures ed. by Jan Lazardzig and Hole Rößler (review)

Francesca Fantappié
pp. 307-310
DOI: https://doi.org/10.1353/boc.2019.0037
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Digresionario poético by Licenciado Mesa del Olmeda (review)

Antonio Azaustre Galiana
pp. 311-314
DOI: https://doi.org/10.1353/boc.2019.0038
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Segunda parte de comedias, vol. VII. El caballero, El parecido, La fingida Arcadia by Agustín Moreto (review)

Enrique García Santo-Tomás
pp. 315-318
DOI: https://doi.org/10.1353/boc.2019.0039
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El teatro barroco como campo de juego. Estudios sobre Lope de Vega y Tirso de Molina by Wolfram Nitsch (review)

Henry W. Sullivan
pp. 319-322
DOI: https://doi.org/10.1353/boc.2019.0040
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Primer tomo de comedias. Volumen 1.3: Olimpa y Vireno, El señor don Juan de Austria, Los amantes de Teruel by Juan Pérez de Montalbán (review)

Jonathan David Bradbury
pp. 323-326
DOI: https://doi.org/10.1353/boc.2019.0041
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Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama by Laurence Publicover (review)

Barbara Fuchs
pp. 327-328
DOI: https://doi.org/10.1353/boc.2019.0042
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Plato's Persona: Marsilio Ficino, Renaissance Humanism, and Platonic Traditions by Denis J.-J. Robichaud (review)

Susan Byrne
pp. 329-332
DOI: https://doi.org/10.1353/boc.2019.0043
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Political Culture in Spanish America, 1500–1830 by Jaime E. Rodríguez O. (review)

Jordana Dym
pp. 333-335
DOI: https://doi.org/10.1353/boc.2019.0044
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Tragic Drama in the Golden Age of Spain: Seven Essays on the Definition of a Genre by Henry W. Sullivan (review)

Jane W. Albrecht
pp. 337-339
DOI: https://doi.org/10.1353/boc.2019.0045
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Cartas (1604–1633) by Lope de Vega (review)

Rafael Ramos
pp. 341-345
DOI: https://doi.org/10.1353/boc.2019.0046
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Comedias Parte XVII by Lope de Vega (review)

David J. Amelang
pp. 347-350
DOI: https://doi.org/10.1353/boc.2019.0047
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San Nicolás de Tolentino by Lope de Vega (review)

Christina H. Lee
pp. 351-353
DOI: https://doi.org/10.1353/boc.2019.0048
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"Los cielos se agotaron de prodigios": Essays in honor of Frederick A. de Armas ed. by Christopher B. Weimer et al. (review)

Sofie Kluge
pp. 355-358
DOI: https://doi.org/10.1353/boc.2019.0049
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