1. Prologue
  2. Laura Bass, Elizabeth R. Wright
  3. pp. 5-6
  4. DOI: 10.1353/boc.2019.0000
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  1. John Jay Allen (1932–2019)
  2. José María Ruano de la Haza
  3. pp. 7-9
  4. DOI: 10.1353/boc.2019.0001
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  1. Discurso inaugural del coloquio Manos Teatrales, Culturas Materiales: los Itinerarios de Investigación de Margaret Greer
  2. Ana Santos Aramburo
  3. pp. 15-19
  4. DOI: 10.1353/boc.2019.0002
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  1. Las Sententiae de Andrés Eborense (Lyon, 1557) en las dedicatorias de comedias y en otras obras de Lope de Vega
  2. Pedro Conde Parrado, Sónia Boadas
  3. pp. 21-47
  4. DOI: 10.1353/boc.2019.0003
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  1. El texto de La adúltera penitente: comicidad, censura y exigencias escénicas en una comedia de santos
  2. Fernando Rodríguez-Gallego
  3. pp. 49-70
  4. DOI: 10.1353/boc.2019.0004
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  1. The Text of Calderón's Luis Pérez el gallego
  2. Don W. Cruickshank
  3. pp. 71-85
  4. DOI: 10.1353/boc.2019.0005
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  1. Everett Hesse, Vera Tassis y el texto de las comedias de Calderón
  2. Erik Coenen
  3. pp. 87-102
  4. DOI: 10.1353/boc.2019.0006
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  1. Lope's La dama boba and the Seduction of the Academy
  2. Elizabeth Rhodes
  3. pp. 103-117
  4. DOI: 10.1353/boc.2019.0007
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  1. Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare
  2. David J. Amelang
  3. pp. 119-134
  4. DOI: 10.1353/boc.2019.0008
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  1. La presencia escénica de Andrés de Claramonte en el Siglo de Oro a partir de las bases de datos Manos y CATCOM
  2. Alejandro García-Reidy
  3. pp. 135-154
  4. DOI: 10.1353/boc.2019.0009
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  1. Espejos sonoros en Eco y Narciso: un análisis cuantitativo y poético de la asonancia en Calderón
  2. Simon Kroll
  3. pp. 155-169
  4. DOI: 10.1353/boc.2019.0010
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  1. La primera puesta en escena de Los tres mayores prodigios de Calderón
  2. Santiago Fernández Mosquera
  3. pp. 171-186
  4. DOI: 10.1353/boc.2019.0011
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  1. El Coliseo del Buen Retiro y la diplomacia española del Barroco
  2. Ignacio López Alemany
  3. pp. 187-201
  4. DOI: 10.1353/boc.2019.0012
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  1. El muerto disimulado / Presumed Dead by Ângela de Azevedo (review)
  2. Lisa Vollendorf
  3. pp. 203-205
  4. DOI: 10.1353/boc.2019.0013
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  1. Cultures of the Fragment: Uses of the Iberian Manuscript, 1100–1600 by Heather Bamford (review)
  2. Vincent Barletta
  3. pp. 207-209
  4. DOI: 10.1353/boc.2019.0014
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  1. Theatre and the English Public from Reformation to Revolution by Katrin Beushausen (review)
  2. Alejandro García-Reidy
  3. pp. 211-213
  4. DOI: 10.1353/boc.2019.0015
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  1. The Oxford Handbook of Shakespeare and Performance ed. by James C. Bulman (review)
  2. Susan L. Fischer
  3. pp. 215-221
  4. DOI: 10.1353/boc.2019.0016
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  1. La cisma de Ingalaterra by Pedro Calderón de la Barca (review)
  2. Roy Norton
  3. pp. 223-226
  4. DOI: 10.1353/boc.2019.0017
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  1. Poesía by Pedro Calderón de la Barca (review)
  2. Michael J. McGrath
  3. pp. 227-229
  4. DOI: 10.1353/boc.2019.0018
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  1. El primer refugio del hombre y probática piscina by Pedro Calderón de la Barca (review)
  2. José María Ruano de la Haza
  3. pp. 231-234
  4. DOI: 10.1353/boc.2019.0019
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  1. Un castigo en tres venganzas by Pedro Calderón de la Barca (review)
  2. María del Pilar Chouza-Calo
  3. pp. 235-237
  4. DOI: 10.1353/boc.2019.0020
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  1. Las amazonas de España / La hazaña mayor de Alcides by José de Cañizares (review)
  2. Susan Paun de García
  3. pp. 239-242
  4. DOI: 10.1353/boc.2019.0021
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  1. Nacer en palacio. El ritual del nacimiento en la corte de los Austrias by María Cruz de Carlos Varona (review)
  2. Emilie L. Bergmann
  3. pp. 247-249
  4. DOI: 10.1353/boc.2019.0023
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  1. Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment by Kelly Donahue-Wallace (review)
  2. Luis J. Gordo-Peláez
  3. pp. 255-258
  4. DOI: 10.1353/boc.2019.0025
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  1. Scots and Catalans: Union and Disunion by J. H. Elliott (review)
  2. Alain Hugon
  3. pp. 259-263
  4. DOI: 10.1353/boc.2019.0026
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  1. Hercules and the King of Portugal: Icons of Masculinity and Nation in Calderón's Spain by Dian Fox (review)
  2. Robert ter Horst
  3. pp. 265-268
  4. DOI: 10.1353/boc.2019.0027
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  1. The Golden Age of Spanish Drama ed. by Barbara Fuchs (review)
  2. Barbara Mujica
  3. pp. 273-276
  4. DOI: 10.1353/boc.2019.0029
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  1. Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review)
  2. Jean Dangler
  3. pp. 277-281
  4. DOI: 10.1353/boc.2019.0030
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  1. Staging the Spanish Golden Age: Translation and Performance by Kathleen Jeffs (review)
  2. Christopher C. Oechler
  3. pp. 287-289
  4. DOI: 10.1353/boc.2019.0032
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  1. Ambiguous Antidotes: Virtue as Vaccine for Vice in Early Modern Spain by Hilaire Kallendorf (review)
  2. Shifra Armon
  3. pp. 295-297
  4. DOI: 10.1353/boc.2019.0034
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  1. Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650–1750) by Theresa Varney Kennedy (review)
  2. Sharon Diane Nell
  3. pp. 299-301
  4. DOI: 10.1353/boc.2019.0035
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  1. Blood Matters: Studies in European Literature and Thought, 1400–1700 ed. by Bonnie Lander Johnson and Eleanor Decamp (review)
  2. Ariane M. Balizet
  3. pp. 303-305
  4. DOI: 10.1353/boc.2019.0036
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  1. Digresionario poético by Licenciado Mesa del Olmeda (review)
  2. Antonio Azaustre Galiana
  3. pp. 311-314
  4. DOI: 10.1353/boc.2019.0038
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  1. Segunda parte de comedias, vol. VII. El caballero, El parecido, La fingida Arcadia by Agustín Moreto (review)
  2. Enrique García Santo-Tomás
  3. pp. 315-318
  4. DOI: 10.1353/boc.2019.0039
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  1. El teatro barroco como campo de juego. Estudios sobre Lope de Vega y Tirso de Molina by Wolfram Nitsch (review)
  2. Henry W. Sullivan
  3. pp. 319-322
  4. DOI: 10.1353/boc.2019.0040
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  1. Plato's Persona: Marsilio Ficino, Renaissance Humanism, and Platonic Traditions by Denis J.-J. Robichaud (review)
  2. Susan Byrne
  3. pp. 329-332
  4. DOI: 10.1353/boc.2019.0043
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  1. Political Culture in Spanish America, 1500–1830 by Jaime E. Rodríguez O. (review)
  2. Jordana Dym
  3. pp. 333-335
  4. DOI: 10.1353/boc.2019.0044
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  1. Tragic Drama in the Golden Age of Spain: Seven Essays on the Definition of a Genre by Henry W. Sullivan (review)
  2. Jane W. Albrecht
  3. pp. 337-339
  4. DOI: 10.1353/boc.2019.0045
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  1. Cartas (1604–1633) by Lope de Vega (review)
  2. Rafael Ramos
  3. pp. 341-345
  4. DOI: 10.1353/boc.2019.0046
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  1. Comedias Parte XVII by Lope de Vega (review)
  2. David J. Amelang
  3. pp. 347-350
  4. DOI: 10.1353/boc.2019.0047
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  1. San Nicolás de Tolentino by Lope de Vega (review)
  2. Christina H. Lee
  3. pp. 351-353
  4. DOI: 10.1353/boc.2019.0048
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  1. "Los cielos se agotaron de prodigios": Essays in honor of Frederick A. de Armas ed. by Christopher B. Weimer et al. (review)
  2. Sofie Kluge
  3. pp. 355-358
  4. DOI: 10.1353/boc.2019.0049
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