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Table of Contents

  1. Prologue
  2. Laura Bass, Elizabeth R. Wright
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/boc.2019.0000
  5. restricted access
  1. John Jay Allen (1932–2019)
  2. José María Ruano de la Haza
  3. pp. 7-9
  4. DOI: https://doi.org/10.1353/boc.2019.0001
  5. restricted access
  1. Discurso inaugural del coloquio Manos Teatrales, Culturas Materiales: los Itinerarios de Investigación de Margaret Greer
  2. Ana Santos Aramburo
  3. pp. 15-19
  4. DOI: https://doi.org/10.1353/boc.2019.0002
  5. restricted access
  1. Las Sententiae de Andrés Eborense (Lyon, 1557) en las dedicatorias de comedias y en otras obras de Lope de Vega
  2. Pedro Conde Parrado, Sónia Boadas
  3. pp. 21-47
  4. DOI: https://doi.org/10.1353/boc.2019.0003
  5. restricted access
  1. El texto de La adúltera penitente: comicidad, censura y exigencias escénicas en una comedia de santos
  2. Fernando Rodríguez-Gallego
  3. pp. 49-70
  4. DOI: https://doi.org/10.1353/boc.2019.0004
  5. restricted access
  1. The Text of Calderón's Luis Pérez el gallego
  2. Don W. Cruickshank
  3. pp. 71-85
  4. DOI: https://doi.org/10.1353/boc.2019.0005
  5. restricted access
  1. Everett Hesse, Vera Tassis y el texto de las comedias de Calderón
  2. Erik Coenen
  3. pp. 87-102
  4. DOI: https://doi.org/10.1353/boc.2019.0006
  5. restricted access
  1. Lope's La dama boba and the Seduction of the Academy
  2. Elizabeth Rhodes
  3. pp. 103-117
  4. DOI: https://doi.org/10.1353/boc.2019.0007
  5. restricted access
  1. Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare
  2. David J. Amelang
  3. pp. 119-134
  4. DOI: https://doi.org/10.1353/boc.2019.0008
  5. restricted access
  1. La presencia escénica de Andrés de Claramonte en el Siglo de Oro a partir de las bases de datos Manos y CATCOM
  2. Alejandro García-Reidy
  3. pp. 135-154
  4. DOI: https://doi.org/10.1353/boc.2019.0009
  5. restricted access
  1. Espejos sonoros en Eco y Narciso: un análisis cuantitativo y poético de la asonancia en Calderón
  2. Simon Kroll
  3. pp. 155-169
  4. DOI: https://doi.org/10.1353/boc.2019.0010
  5. restricted access
  1. La primera puesta en escena de Los tres mayores prodigios de Calderón
  2. Santiago Fernández Mosquera
  3. pp. 171-186
  4. DOI: https://doi.org/10.1353/boc.2019.0011
  5. restricted access
  1. El Coliseo del Buen Retiro y la diplomacia española del Barroco
  2. Ignacio López Alemany
  3. pp. 187-201
  4. DOI: https://doi.org/10.1353/boc.2019.0012
  5. restricted access
  1. El muerto disimulado / Presumed Dead by Ângela de Azevedo (review)
  2. Lisa Vollendorf
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/boc.2019.0013
  5. restricted access
  1. Cultures of the Fragment: Uses of the Iberian Manuscript, 1100–1600 by Heather Bamford (review)
  2. Vincent Barletta
  3. pp. 207-209
  4. DOI: https://doi.org/10.1353/boc.2019.0014
  5. restricted access
  1. Theatre and the English Public from Reformation to Revolution by Katrin Beushausen (review)
  2. Alejandro García-Reidy
  3. pp. 211-213
  4. DOI: https://doi.org/10.1353/boc.2019.0015
  5. restricted access
  1. The Oxford Handbook of Shakespeare and Performance ed. by James C. Bulman (review)
  2. Susan L. Fischer
  3. pp. 215-221
  4. DOI: https://doi.org/10.1353/boc.2019.0016
  5. restricted access
  1. La cisma de Ingalaterra by Pedro Calderón de la Barca (review)
  2. Roy Norton
  3. pp. 223-226
  4. DOI: https://doi.org/10.1353/boc.2019.0017
  5. restricted access
  1. Poesía by Pedro Calderón de la Barca (review)
  2. Michael J. McGrath
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/boc.2019.0018
  5. restricted access
  1. El primer refugio del hombre y probática piscina by Pedro Calderón de la Barca (review)
  2. José María Ruano de la Haza
  3. pp. 231-234
  4. DOI: https://doi.org/10.1353/boc.2019.0019
  5. restricted access
  1. Un castigo en tres venganzas by Pedro Calderón de la Barca (review)
  2. María del Pilar Chouza-Calo
  3. pp. 235-237
  4. DOI: https://doi.org/10.1353/boc.2019.0020
  5. restricted access
  1. Las amazonas de España / La hazaña mayor de Alcides by José de Cañizares (review)
  2. Susan Paun de García
  3. pp. 239-242
  4. DOI: https://doi.org/10.1353/boc.2019.0021
  5. restricted access
  1. La aparición de los libros plúmbeos y los modos de escribir la historia. De Pedro de Castro al Inca Garcilaso de la Vega by José Cárdenas Bunsen (review)
  2. Emiro Martínez-Osorio
  3. pp. 243-246
  4. DOI: https://doi.org/10.1353/boc.2019.0022
  5. restricted access
  1. Nacer en palacio. El ritual del nacimiento en la corte de los Austrias by María Cruz de Carlos Varona (review)
  2. Emilie L. Bergmann
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/boc.2019.0023
  5. restricted access
  1. El arte de la subversión en la España inquisitorial: Fernando de Rojas y Francisco Delicado (con dos notas de Cervantes) by Manuel da Costa Fontes (review)
  2. Patricia W. Manning
  3. pp. 251-254
  4. DOI: https://doi.org/10.1353/boc.2019.0024
  5. restricted access
  1. Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment by Kelly Donahue-Wallace (review)
  2. Luis J. Gordo-Peláez
  3. pp. 255-258
  4. DOI: https://doi.org/10.1353/boc.2019.0025
  5. restricted access
  1. Scots and Catalans: Union and Disunion by J. H. Elliott (review)
  2. Alain Hugon
  3. pp. 259-263
  4. DOI: https://doi.org/10.1353/boc.2019.0026
  5. restricted access
  1. Hercules and the King of Portugal: Icons of Masculinity and Nation in Calderón's Spain by Dian Fox (review)
  2. Robert ter Horst
  3. pp. 265-268
  4. DOI: https://doi.org/10.1353/boc.2019.0027
  5. restricted access
  1. Monarchy Transformed: Princes and Their Elites in Early Modern Western Europe ed. by Robert von Friedeburg and John Morrill (review)
  2. Fabien Montcher
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/boc.2019.0028
  5. restricted access
  1. The Golden Age of Spanish Drama ed. by Barbara Fuchs (review)
  2. Barbara Mujica
  3. pp. 273-276
  4. DOI: https://doi.org/10.1353/boc.2019.0029
  5. restricted access
  1. Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review)
  2. Jean Dangler
  3. pp. 277-281
  4. DOI: https://doi.org/10.1353/boc.2019.0030
  5. restricted access
  1. Netherlandish Art and Luxury Goods in Renaissance Spain. Studies in Honor of Professor Jan Karel Steppe (1918–2009) by Daan van Heesch, Robrecht Janssen, and Jan Van der Stock (review)
  2. Carmen Ripollés
  3. pp. 283-286
  4. DOI: https://doi.org/10.1353/boc.2019.0031
  5. restricted access
  1. Staging the Spanish Golden Age: Translation and Performance by Kathleen Jeffs (review)
  2. Christopher C. Oechler
  3. pp. 287-289
  4. DOI: https://doi.org/10.1353/boc.2019.0032
  5. restricted access
  1. Disabled Bodies in Early Modern Spanish Literature. Prostitutes, Aging Women and Saints by Encarnación Juárez-Almendros (review)
  2. Madeline Sutherland-Meier
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/boc.2019.0033
  5. restricted access
  1. Ambiguous Antidotes: Virtue as Vaccine for Vice in Early Modern Spain by Hilaire Kallendorf (review)
  2. Shifra Armon
  3. pp. 295-297
  4. DOI: https://doi.org/10.1353/boc.2019.0034
  5. restricted access
  1. Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650–1750) by Theresa Varney Kennedy (review)
  2. Sharon Diane Nell
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/boc.2019.0035
  5. restricted access
  1. Blood Matters: Studies in European Literature and Thought, 1400–1700 ed. by Bonnie Lander Johnson and Eleanor Decamp (review)
  2. Ariane M. Balizet
  3. pp. 303-305
  4. DOI: https://doi.org/10.1353/boc.2019.0036
  5. restricted access
  1. Technologies of Theatre: Joseph Furttenbach and the Transfer of Mechanical Knowledge in Early Modern Theatre Cultures ed. by Jan Lazardzig and Hole Rößler (review)
  2. Francesca Fantappié
  3. pp. 307-310
  4. DOI: https://doi.org/10.1353/boc.2019.0037
  5. restricted access
  1. Digresionario poético by Licenciado Mesa del Olmeda (review)
  2. Antonio Azaustre Galiana
  3. pp. 311-314
  4. DOI: https://doi.org/10.1353/boc.2019.0038
  5. restricted access
  1. Segunda parte de comedias, vol. VII. El caballero, El parecido, La fingida Arcadia by Agustín Moreto (review)
  2. Enrique García Santo-Tomás
  3. pp. 315-318
  4. DOI: https://doi.org/10.1353/boc.2019.0039
  5. restricted access
  1. El teatro barroco como campo de juego. Estudios sobre Lope de Vega y Tirso de Molina by Wolfram Nitsch (review)
  2. Henry W. Sullivan
  3. pp. 319-322
  4. DOI: https://doi.org/10.1353/boc.2019.0040
  5. restricted access
  1. Primer tomo de comedias. Volumen 1.3: Olimpa y Vireno, El señor don Juan de Austria, Los amantes de Teruel by Juan Pérez de Montalbán (review)
  2. Jonathan David Bradbury
  3. pp. 323-326
  4. DOI: https://doi.org/10.1353/boc.2019.0041
  5. restricted access
  1. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama by Laurence Publicover (review)
  2. Barbara Fuchs
  3. pp. 327-328
  4. DOI: https://doi.org/10.1353/boc.2019.0042
  5. restricted access
  1. Plato's Persona: Marsilio Ficino, Renaissance Humanism, and Platonic Traditions by Denis J.-J. Robichaud (review)
  2. Susan Byrne
  3. pp. 329-332
  4. DOI: https://doi.org/10.1353/boc.2019.0043
  5. restricted access
  1. Political Culture in Spanish America, 1500–1830 by Jaime E. Rodríguez O. (review)
  2. Jordana Dym
  3. pp. 333-335
  4. DOI: https://doi.org/10.1353/boc.2019.0044
  5. restricted access
  1. Tragic Drama in the Golden Age of Spain: Seven Essays on the Definition of a Genre by Henry W. Sullivan (review)
  2. Jane W. Albrecht
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/boc.2019.0045
  5. restricted access
  1. Cartas (1604–1633) by Lope de Vega (review)
  2. Rafael Ramos
  3. pp. 341-345
  4. DOI: https://doi.org/10.1353/boc.2019.0046
  5. restricted access
  1. Comedias Parte XVII by Lope de Vega (review)
  2. David J. Amelang
  3. pp. 347-350
  4. DOI: https://doi.org/10.1353/boc.2019.0047
  5. restricted access
  1. San Nicolás de Tolentino by Lope de Vega (review)
  2. Christina H. Lee
  3. pp. 351-353
  4. DOI: https://doi.org/10.1353/boc.2019.0048
  5. restricted access
  1. "Los cielos se agotaron de prodigios": Essays in honor of Frederick A. de Armas ed. by Christopher B. Weimer et al. (review)
  2. Sofie Kluge
  3. pp. 355-358
  4. DOI: https://doi.org/10.1353/boc.2019.0049
  5. restricted access