1. Editorial: Extractivism and Performance
  2. Kimberly Richards, Heather Davis-Fisch
  3. pp. 5-8
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  1. Shanty Songs and Echoing Rocks: Upsurges of Memory along Fault Lines of Extraction
  2. Jenn Cole
  3. pp. 9-15
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  1. “My! What Big Teeth You Have!”: On the Art of Being Seen and Not Eaten
  2. Jill Carter
  3. pp. 16-21
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  1. What Is Lost and What Is Gained: A Travelogue of Tours of Hydro-Affected Communities in Northern Manitoba
  2. Jessica Jacobson Konefall, Peter Kulchyski, Ramona Neckoway
  3. pp. 22-25
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  1. Acting under Natural Laws
  2. Rita Wong, Kimberly Richards
  3. pp. 26-29
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  1. Renewable Relations in Make Muskrat Right
  2. Olivia Heaney
  3. pp. 30-34
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  1. The Story of Extractivism
  2. Chantal Bilodeau
  3. pp. 35-38
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  1. Spawning in Concrete: Bridging Urban and Wild with Uninterrupted: A Cinematic Spectacle
  2. Katrina Dunn
  3. pp. 45-50
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  1. Wood Mountain Walk and the Possibilities of Decolonization through Relationships with People and Land in Solo Walking Performance
  2. Ken Wilson
  3. pp. 51-56
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  1. The Pipeline Project
  2. Kevin Loring, Quelemia Sparrow, Sebastien Archibald
  3. pp. 57-74
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  1. Editorial: Equity, Diversity, and Inclusion
  2. Heather Davis-Fisch
  3. pp. 75-76
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  1. Canada Comes to CARIFESTA: The Caribbean International Festival of the Arts, Trinidad and Tobago, August 2019
  2. Ric Knowles
  3. pp. 77-81
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  1. The Curious Voyage: The Potentials and Pitfalls of Immersive Performance
  2. Carly Maga
  3. pp. 82-86
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  1. Soundings: An Exhibition in Five Acts and the Ka’tarohkwi Festival as Participatory Calls for Decolonization
  2. Kelsey Jacobson
  3. pp. 87-91
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  1. Queer and Now
  2. Benjamin Gillespie
  3. pp. 92-94
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