In this Issue

Table of Contents

Articles

Miss Austen Plays Pleyel: An Additional Source for the Jane Austen Family Music Collection?

Marian Wilson Kimber
pp. 1-17
DOI: https://doi.org/10.1353/fam.2020.0003
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Kulturvermittlung Zwischen (Sowjet-)Russland und der Schweiz: Der Nachlass des Musikwissenschaftlers Robert-Aloys Mooser (1876–1969) in den Bibliotheken Genf und Basel

Sonja Erhardt
pp. 18-33
DOI: https://doi.org/10.1353/fam.2020.0004
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'In the Mirror of Criticism': The Film Music Debate on Reichsfilmblatt from 1924 to 1929 (with a Source Catalogue)

Francesco Finocchiaro
pp. 34-62
DOI: https://doi.org/10.1353/fam.2020.0005
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Briefs / Feuilletons

Briefs / Feuilletons

pp. 63-64
DOI: https://doi.org/10.1353/fam.2020.0006
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Reviews

Bach and the Counterpoint of Religion ed. by Robin A. Leaver (review)

Alon Schab
pp. 65-67
DOI: https://doi.org/10.1353/fam.2020.0000
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Debussy's Legacy and the Construction of Reputation by Marianne Wheeldon (review)

Keith E. Clifton
pp. 67-69
DOI: https://doi.org/10.1353/fam.2020.0001
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Le Modèle et l'Invention: Messiaen et la Technique de l'Emprunt by Yves Balmer, Thomas Lacôte, and Christopher Brent Murray (review)

Marie-Gabrielle Soret
pp. 69-71
DOI: https://doi.org/10.1353/fam.2020.0002
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