1. Nota del editor / Editor’s Note
  2. Ignacio López Alemany
  3. p. v
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  1. On Sandoval Zapata’s Lyric Transformations
  2. Christopher D. Johnson
  3. pp. 1-23
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  1. Sounding the Feminine in Sor Juana’s Villancicos to St. Catherine of Alexandria (1691)
  2. Sarah Finley
  3. pp. 24-43
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  1. The Beauty of Holiness: Architectural Representations of the Temple of Jerusalem in Spanish Golden Age Poetry
  2. Laurie Kaplis-Hohwald
  3. pp. 78-97
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  1. Une épopée ibérique. Alonso de Ercilla et Jerónimo Corte-Real (1569–1589) by Aude Plagnard (review)
  2. Pedro Ruiz Pérez
  3. pp. 98-102
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  1. Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain by Nicholas R. Jones (review)
  2. Victor Sierra Matute
  3. pp. 103-105
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  1. Immaculate Conceptions: The Power of the Religious Imagination in Early Modern Spain by Hernández Rosilie (review)
  2. Stacey Schlau
  3. pp. 105-109
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  1. The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano by María M. Portuondo (review)
  2. Luis Rodríguez-Rincón
  3. pp. 109-111
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  1. Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)
  2. Leo Cabranes-Grant
  3. pp. 112-113
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  1. El Inca Garcilaso en su Siglo de Oro by Fernando Rodríguez Mansilla (review)
  2. Silvia-Alexandra Ṣtefan
  3. pp. 114-119
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  1. El «Cancionero de la Corte de Carlos V» y su autor, Luis de Ávila y Zúñiga by Nancy F. Marino (review)
  2. Ignacio García Aguilar
  3. pp. 120-123
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