1. The Indian Summer of Life
  2. Pascal Bruckner, Mary Byrd Kelly
  3. pp. 1-13
  4. DOI: 10.1353/scr.2020.0004
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  1. French and American Feminists Write About #MeToo
  2. Lynn A. Higgins
  3. pp. 14-28
  4. DOI: 10.1353/scr.2020.0005
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  1. Inexorable Force and Sustaining Form in Jean Renoir's The River
  2. David J. Langston
  3. pp. 29-53
  4. DOI: 10.1353/scr.2020.0006
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  1. On Being Out of Touch: Evan S. Connell and the Aesthetic of Social Oblivion
  2. David Pickus
  3. pp. 54-72
  4. DOI: 10.1353/scr.2020.0007
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  1. Woolf's Feminine Spaces and the New Woman in To the Lighthouse: The Cases of Mrs. Ramsay and Lily Briscoe
  2. Thais Rutledge
  3. pp. 73-101
  4. DOI: 10.1353/scr.2020.0008
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  1. "'Asking, and Listening': T.B. Thorpe's Positive Vision for National Unity in 'The Big Bear of Arkansas'"
  2. Jordan Sillars
  3. pp. 102-120
  4. DOI: 10.1353/scr.2020.0009
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  1. The Arab-American Experience: Identity Negotiation in How Does It Feel to Be a Problem?
  2. Samar Zahrawi
  3. pp. 121-137
  4. DOI: 10.1353/scr.2020.0000
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  1. True and Living Prophet of Destruction: Cormac McCarthy and Modernity by Nicholas Monk (review)
  2. Miriam Rowntree
  3. pp. 138-140
  4. DOI: 10.1353/scr.2020.0001
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  1. Notes on Contributors
  2. pp. 141-142
  3. DOI: 10.1353/scr.2020.0002
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  1. Books Received
  2. p. 143
  3. DOI: 10.1353/scr.2020.0003
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