The Massachusetts Review

In this Issue

Table of Contents

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Introduction
Jim Hicks
pp. 8-9
DOI: https://doi.org/10.1353/mar.2020.0029

Curiosity Has More Syllables Than Conquer
Desirée Alvarez
p. 11
DOI: https://doi.org/10.1353/mar.2020.0000

Mark But This
Ariel Dorfman
pp. 12-17
DOI: https://doi.org/10.1353/mar.2020.0001

My History with Animals
Hebe Uhart, Anna Vilner
pp. 18-21
DOI: https://doi.org/10.1353/mar.2020.0002

Shelley on the Beach
Sese Geddes
pp. 22-23
DOI: https://doi.org/10.1353/mar.2020.0003

Italo’s Death
Gianni Celati, Patrick Barron
pp. 24-28
DOI: https://doi.org/10.1353/mar.2020.0004

The Smell of Tansy through the Dark
Lesley Wheeler
pp. 29-37
DOI: https://doi.org/10.1353/mar.2020.0005

Birth
Paola Bruni
pp. 38-39
DOI: https://doi.org/10.1353/mar.2020.0006

Detour
Danusha Laméris
p. 40
DOI: https://doi.org/10.1353/mar.2020.0007

Insides
Dion O’Reilly
p. 41
DOI: https://doi.org/10.1353/mar.2020.0008

Searching for Walter
Amy Yee
pp. 42-58
DOI: https://doi.org/10.1353/mar.2020.0009

Home on the Range
Jung Young Moon, Bruce Fulton, Ju-Chan Fulton
pp. 59-77
DOI: https://doi.org/10.1353/mar.2020.0010

I’m Not Any of the Things I Used to Be
Julie Murphy
pp. 78-79
DOI: https://doi.org/10.1353/mar.2020.0011

My First-Grade Picture
Nancy Miller Gomez
p. 80
DOI: https://doi.org/10.1353/mar.2020.0012

Heroes of Our Time
Brian Chikwava
pp. 81-94
DOI: https://doi.org/10.1353/mar.2020.0013

That’s Life, Honey
Gabriella Kuruvilla, Jamie Richards, Alex Valente
pp. 95-101
DOI: https://doi.org/10.1353/mar.2020.0014

Barricades
Charlie Peck
pp. 102-103
DOI: https://doi.org/10.1353/mar.2020.0015

Police Interrogation of Food Critic B. W. Ball
Peter Krumbach
p. 104
DOI: https://doi.org/10.1353/mar.2020.0016

Black Refractions: Highlights from The Studio Museum in Harlem
pp. 105-112
DOI: https://doi.org/10.1353/mar.2020.0017

Footpad
Cynthia White
p. 113
DOI: https://doi.org/10.1353/mar.2020.0018

When the Storm Comes
Tad Bartlett
pp. 114-125
DOI: https://doi.org/10.1353/mar.2020.0019

The End of Days at Dave and Busters
Caitlin O’Neil
pp. 126-131
DOI: https://doi.org/10.1353/mar.2020.0020

Guitar
Keith Leonard
p. 132
DOI: https://doi.org/10.1353/mar.2020.0021

Syllable from Sound
Melanie McCabe
pp. 133-147
DOI: https://doi.org/10.1353/mar.2020.0022

The Empirical Mr. B
Laura Glen Louis
pp. 148-169
DOI: https://doi.org/10.1353/mar.2020.0023

The Opposite Bird
Augusta Funk
p. 170
DOI: https://doi.org/10.1353/mar.2020.0024

In the Great Wide
Karin Cecile Davidson
pp. 171-188
DOI: https://doi.org/10.1353/mar.2020.0025

The Underworld Also Swallows Sons
Jennifer Richter
p. 189
DOI: https://doi.org/10.1353/mar.2020.0026

Once Upon a Time
Sylvia Hanitra Andriamampianina, Rebecca Dehner-Armand
pp. 190-191
DOI: https://doi.org/10.1353/mar.2020.0027

Notes on Contributors
pp. 193-196
DOI: https://doi.org/10.1353/mar.2020.0028

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