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In this Issue

Table of Contents

Articles

  1. How to Do Things with Futurism: Traces of Futurism in Hebrew Culture
  2. Nana Ariel
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/mod.2020.0000
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  1. “Talking Hebrew in every language under the sun”: Emma Lazarus, Charles Reznikoff, and the Origins of Documentary Poetics
  2. Joshua Logan Wall
  3. pp. 27-49
  4. DOI: https://doi.org/10.1353/mod.2020.0001
  5. restricted access
  1. Subject to a Vital Machine: The Political Ambivalence of Avant-garde Aesthetics
  2. Christopher Williams-Wynn
  3. pp. 51-79
  4. DOI: https://doi.org/10.1353/mod.2020.0002
  5. restricted access
  1. The Noise of Mediation: Dorothy Richardson’s Sonic Modernity
  2. Adam Guy
  3. pp. 81-101
  4. DOI: https://doi.org/10.1353/mod.2020.0003
  5. restricted access
  1. Erika Mann, the BBC German Service, and Foreign-Language Broadcasting during WWII
  2. Vike Martina Plock
  3. pp. 103-123
  4. DOI: https://doi.org/10.1353/mod.2020.0004
  5. restricted access
  1. Pound Notes in German Markets: Paul Celan, Usury, and the Postwar Currency of Ezra Pound
  2. Philip Gerard
  3. pp. 125-145
  4. DOI: https://doi.org/10.1353/mod.2020.0005
  5. restricted access
  1. “Queer Music-Hall Sport”: All-In Wrestling and Modernist Fakery
  2. Claire Warden
  3. pp. 147-164
  4. DOI: https://doi.org/10.1353/mod.2020.0006
  5. restricted access
  1. Rethinking the Origins of Camp: The Queer Correspondence of Carl Van Vechten and Ronald Firbank
  2. Kate Hext
  3. pp. 165-183
  4. DOI: https://doi.org/10.1353/mod.2020.0007
  5. restricted access

Book Reviews

  1. Affective Materialities: Reorienting the Body in Modernist Literature ed. by Kara Watts, Molly Volanth Hall, Robin Hackett (review)
  2. Marta Figlerowicz
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/mod.2020.0011
  5. restricted access
  1. Surrealism at Play by Susan Laxton (review)
  2. Johanna Malt
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/mod.2020.0013
  5. restricted access
  1. John Dos Passos and Cinema by Lisa Nanney (review)
  2. Mark Whalan
  3. pp. 189-191
  4. DOI: https://doi.org/10.1353/mod.2020.0016
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  1. Threshold Modernism: New Public Women and the Literary Spaces of Imperial London by Elizabeth F. Evans (review)
  2. Geneviève Brassard
  3. pp. 192-194
  4. DOI: https://doi.org/10.1353/mod.2020.0009
  5. restricted access
  1. Literary Primitivism by Ben Etherington (review)
  2. Glyn Salton-Cox
  3. pp. 194-196
  4. DOI: https://doi.org/10.1353/mod.2020.0015
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  1. Literary and Cultural Alternatives to Modernism: Unsettling Presences ed. by Kostas Boyiopoulos, Anthony Patterson, Mark Sandy (review)
  2. Sarah Parker
  3. pp. 196-199
  4. DOI: https://doi.org/10.1353/mod.2020.0014
  5. restricted access
  1. Novel Theory and Technology in Modernist Britain by Heather Fielding (review)
  2. Andrew Gaedtke
  3. pp. 199-201
  4. DOI: https://doi.org/10.1353/mod.2020.0012
  5. restricted access
  1. Rural Modernity in Britain: A Critical Intervention ed. by Kristin Bluemel, Michael McCluskey (review)
  2. Ben Clarke
  3. pp. 201-204
  4. DOI: https://doi.org/10.1353/mod.2020.0010
  5. restricted access

Recent Books of Interest

  1. Recent Books of Interest
  3. pp. 205-206
  4. DOI: https://doi.org/10.1353/mod.2020.0008
  5. restricted access