1. Herbert the Space Man: Scenes of Printing and Spaces of Reading in The Temple
  2. Gabriel Bloomfield
  3. pp. 1-38
  4. DOI: 10.1353/elh.2020.0000
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  1. The Matter of Language; or, What Does "the Sound Must Seem an Eccho to the Sense" Mean?
  2. Courtney Weiss Smith
  3. pp. 39-64
  4. DOI: 10.1353/elh.2020.0001
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  1. Samuel Johnson and Spectral Media
  2. Rachael Scarborough King
  3. pp. 65-90
  4. DOI: 10.1353/elh.2020.0002
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  1. Unfeeling Omniscience: Empire and Distant Intimacy in Vanity Fair
  2. Will Glovinsky
  3. pp. 91-120
  4. DOI: 10.1353/elh.2020.0003
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  1. "How Came They Here?": Longfellow's "The Jewish Cemetery at Newport," Slavery, and Proto-Zionism
  2. Joseph Phelan
  3. pp. 121-147
  4. DOI: 10.1353/elh.2020.0004
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  1. Improving Ears: Elizabeth Gaskell's Charitable Listener and the Social-Problem Novel
  2. Kate Nesbit
  3. pp. 149-178
  4. DOI: 10.1353/elh.2020.0005
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  1. The Sound of Ford Madox Ford: War-Time, Impressionism, and Narrative Form
  2. Rachel Kyne
  3. pp. 211-244
  4. DOI: 10.1353/elh.2020.0007
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  1. What the Nightingale Sings: History, Lyric, and the Modernist Epic
  2. Jeremy Stevens
  3. pp. 245-272
  4. DOI: 10.1353/elh.2020.0008
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  1. Writing After the "Poor Little Bomb": Fictionality and Sabotage in Nadine Gordimer's The Late Bourgeois World
  2. David Attwell
  3. pp. 273-291
  4. DOI: 10.1353/elh.2020.0009
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