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Table of Contents

  1. Let It Burn: Film Historiography in Flames
  2. Katherine Groo
  3. pp. 3-36
  4. DOI: https://doi.org/10.13110/discourse.41.1.0003
  5. restricted access
  1. In the Wake of Militant Cinema: Challenges for Film Studies
  2. Matthew Croombs
  3. pp. 68-89
  4. DOI: https://doi.org/10.13110/discourse.41.1.0068
  5. restricted access
  1. Pre-Face, Sur-Face, Inter-Face, Post-Face: The Horror Story of Goodnight Mommy
  2. Olivia Landry
  3. pp. 90-111
  4. DOI: https://doi.org/10.13110/discourse.41.1.0090
  5. restricted access
  1. The End of the World Viewed, or The Wind in the Things: On Nikolaus Geyrhalter's Homo Sapiens
  2. Tiago de Luca
  3. pp. 112-141
  4. DOI: https://doi.org/10.13110/discourse.41.1.0112
  5. restricted access
  1. Can the Real of Slavery Speak?
  2. Christopher Chamberlin
  3. pp. 142-162
  4. DOI: https://doi.org/10.13110/discourse.41.1.0142
  5. restricted access
  1. Embracing Obstruction
  2. Alex Wescott
  3. pp. 163-168
  4. DOI: https://doi.org/10.13110/discourse.41.1.0163
  5. restricted access
  1. Broken? Notes toward 2067
  2. Eva-Lynn Jagoe
  3. pp. 176-180
  4. DOI: https://doi.org/10.13110/discourse.41.1.0176
  5. restricted access
  1. Contributors
  2. pp. 181-182
  3. restricted access