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Table of Contents

  1. Writing/Creating in the Feminine in Early Modern France: Recent Initiatives to Uncover the Past
  2. Anne R. Larsen, Colette H. Winn
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/esp.2020.0006
  5. restricted access
  1. Gender, Transference, and the Reception of Early Modern Women: The Case of Louise Labé
  2. Nancy Frelick
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/esp.2020.0003
  5. restricted access
  1. Creatures of Paper and Confessions of the Flesh: Reading Madeleine and Catherine Des Roches in the 21st Century
  2. Kendall B. Tarte
  3. pp. 23-33
  4. DOI: https://doi.org/10.1353/esp.2020.0012
  5. restricted access
  1. Changing the Conversation: Re-positioning the French Seventeenth-Century Salon
  2. Faith E. Beasley
  3. pp. 34-46
  4. DOI: https://doi.org/10.1353/esp.2020.0000
  5. restricted access
  1. The Knowable Unknown: Female Figures, Louis XIV, French Court Art, and Dutch Realism
  2. Harriet Stone
  3. pp. 47-61
  4. DOI: https://doi.org/10.1353/esp.2020.0011
  5. restricted access
  1. Modèles et contre-modèles de comportement féminin dans Le septiesme tome des histoires tragiques de François de Belleforest
  2. Hervé-Thomas Campangne
  3. pp. 62-74
  4. DOI: https://doi.org/10.1353/esp.2020.0002
  5. restricted access
  1. Honor Revenges in Marguerite de Navarre's Heptaméron
  2. Cynthia Skenazi
  3. pp. 75-86
  4. DOI: https://doi.org/10.1353/esp.2020.0010
  5. restricted access
  1. Honor and Gender in the Heptaméron of Marguerite de Navarre
  2. Cynthia Nazarian
  3. pp. 87-99
  4. DOI: https://doi.org/10.1353/esp.2020.0009
  5. restricted access
  1. Marie Bruneau, Dame des Loges: Salon Conversation and the honnête femme
  2. Anne R. Larsen
  3. pp. 100-112
  4. DOI: https://doi.org/10.1353/esp.2020.0007
  5. restricted access
  1. How Does a Woman Get into a History Book?
  2. Stephen Murphy
  3. pp. 113-123
  4. DOI: https://doi.org/10.1353/esp.2020.0008
  5. restricted access
  1. « Mon évasion hors de France »: Les huguenotes et leurs mémoires d'exil
  2. Colette H. Winn
  3. pp. 124-135
  4. DOI: https://doi.org/10.1353/esp.2020.0014
  5. restricted access
  1. Les voix du désert et de l'exil
  2. Henriette Goldwyn
  3. pp. 136-147
  4. DOI: https://doi.org/10.1353/esp.2020.0004
  5. restricted access
  1. The çengî: Descriptions of Professional Female Performers in French and Italian Accounts of Travel to the Middle East, 1550–1650
  2. Carla Zecher
  3. pp. 148-158
  4. DOI: https://doi.org/10.1353/esp.2020.0015
  5. restricted access
  1. Women and Power at the French Court, 1483–1563 ed. by Susan Broomhall (review)
  2. Julie D. Campbell
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/esp.2020.0001
  5. restricted access
  1. Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV by Melinda J. Gough (review)
  2. Tracy Adams
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/esp.2020.0005
  5. restricted access
  1. Suffering Scholars: Pathologies of the Intellectual in Enlightenment France by Anne C. Vila (review)
  2. Bénédicte Prot
  3. p. 161
  4. DOI: https://doi.org/10.1353/esp.2020.0013
  5. restricted access