In this Issue
The mission of The Hopkins Review is to publish today’s vital voices and visions in literature, culture, criticism, public-facing scholarship, and the arts. Established in 1947 by Elliott Coleman and relaunched in 2007 by John T. Irwin, it celebrated its 15th year of continuous publishing in 2022 with a commitment to creative excellence and its dynamic, diverse, and inclusive present and future.
Contributors to The Hopkins Review have included literary and scholarly luminaries such as John Barth, Donald Barthelme, Harold Bloom, Stephanie Burt, Erica Dawson, Stephen Dixon, Denis Donoghue, Claudia Emerson, Tony Eprile, Marilyn Hacker, Terrance Hayes, Vanessa Hua, Millard Kaufman, Frank Kermode, Richard A. Macksey, Jill McCorkle, Shane McCrae, Alice McDermott, Carl Phillips, Natalie Shapero, A. E. Stallings, Adrienne Su, Colm Tóibín, Helen Vendler, Claire Vaye Watkins, Afaa M. Weaver, C. Dale Young, and many others.
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Volume 13, Number 1, Winter 2020Table of Contents
- Close Calls
- pp. 4-20
- DOI: https://doi.org/10.1353/thr.2020.0001
- Interview
- pp. 25-56
- DOI: https://doi.org/10.1353/thr.2020.0003
- Early Signs
- pp. 78-79
- DOI: https://doi.org/10.1353/thr.2020.0007
- Bushido
- pp. 97-108
- DOI: https://doi.org/10.1353/thr.2020.0011
- Film Chronicle
- pp. 126-134
- DOI: https://doi.org/10.1353/thr.2020.0016
- Days, Dances, Deities
- pp. 135-141
- DOI: https://doi.org/10.1353/thr.2020.0019
- Notes on Contributors
- pp. 154-156
- DOI: https://doi.org/10.1353/thr.2020.0015
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