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In this Issue

Table of Contents

Articles

  1. "Y'all Come and Have Fun": Discovering a New Jersey Country and Western Music Scene in a Box of Postcards
  2. Christine A. Lutz
  3. pp. 365-391
  4. DOI: https://doi.org/10.1353/not.2020.0000
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  1. Second to None: Engaging Secondary Sources in the Music History Classroom
  2. Patricia Puckett Sasser
  3. pp. 392-405
  4. DOI: https://doi.org/10.1353/not.2020.0001
  5. restricted access
  1. Northwestern University's John Cage Collection: History and Ongoing Development
  2. D. J. Hoek
  3. pp. 406-415
  4. DOI: https://doi.org/10.1353/not.2020.0002
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  1. Notes for Notes
  3. pp. 416-421
  4. DOI: https://doi.org/10.1353/not.2020.0003
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Book Reviews

  1. The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe by Samantha Owens (review)
  2. Michael Eisenberg
  3. pp. 422-425
  4. DOI: https://doi.org/10.1353/not.2020.0004
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  1. Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism by Phyllis Weliver (review)
  2. Amy J. Hunsaker
  3. pp. 425-427
  4. DOI: https://doi.org/10.1353/not.2020.0005
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  1. Music and Fantasy in the Age of Berlioz by Francesca Brittan (review)
  2. Jacek Blaszkiewicz
  3. pp. 427-430
  4. DOI: https://doi.org/10.1353/not.2020.0006
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  1. Delius and Norway by Andrew J. Boyle (review)
  2. Michelle Urberg
  3. pp. 430-432
  4. DOI: https://doi.org/10.1353/not.2020.0007
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  1. Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–1930 by Samuel N. Dorf (review)
  2. Campbell Shiflett
  3. pp. 433-436
  4. DOI: https://doi.org/10.1353/not.2020.0008
  5. restricted access
  1. Challenging the Modern: Conservative Revolution in German Music, 1918–33 by Nicholas Attfield (review)
  2. Daniel F. Boomhower
  3. pp. 436-438
  4. DOI: https://doi.org/10.1353/not.2020.0009
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  1. Anti-Music: Jazz and Racial Blackness in German Thought between the Wars by Mark Christian Thompson (review)
  2. Daniel F. Boomhower
  3. pp. 438-440
  4. DOI: https://doi.org/10.1353/not.2020.0010
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  1. Music Glocalization: Heritage and Innovation in a Digital Age ed. by David Hebert and Mikolaj Rykowski (review)
  2. Siel Agugliaro
  3. pp. 440-443
  4. DOI: https://doi.org/10.1353/not.2020.0011
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  1. Music and Society in Cork 1700–1900 by Susan O'Regan (review)
  2. Frances Wilkins
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/not.2020.0012
  5. restricted access
  1. The Masses of Seán and Peadar Ó Riada: Explorations in Vernacular Chant by John O'Keeffe (review)
  2. Sean Williams
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/not.2020.0013
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  1. Ina Boyle (1889–1967): A Composer's Life by Ita Beausang (review)
  2. Anna E. Kijas
  3. pp. 448-451
  4. DOI: https://doi.org/10.1353/not.2020.0014
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  1. Organized Time: Rhythm, Tonality, and Form by Jason Yust (review)
  2. Kelvin H. F. Lee
  3. pp. 451-454
  4. DOI: https://doi.org/10.1353/not.2020.0015
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  1. Sonata Fragments: Romantic Narratives in Chopin, Schumann, and Brahms by Andrew Davis (review)
  2. Jonathan D. Bellman
  3. pp. 454-457
  4. DOI: https://doi.org/10.1353/not.2020.0016
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  1. Interviste e colloqui by Luciano Berio (review)
  2. Valentina Bertolani
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/not.2020.0017
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  1. Musical Portraits: The Composition of Identity in Contemporary and Experimental Music by Joshua S. Walden (review)
  2. Elizabeth Hoover
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/not.2020.0018
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  1. Arvo Pärt's Resonant Texts: Choral and Organ Music 1956–2015 by Andrew Shenton (review)
  2. Thomas Robinson
  3. pp. 462-466
  4. DOI: https://doi.org/10.1353/not.2020.0019
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  1. Toward the Sun Rising: Ralph Vaughan Williams Remembered by Stephen Connock (review)
  2. Meredith C. Graham
  3. pp. 466-468
  4. DOI: https://doi.org/10.1353/not.2020.0020
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  1. Bill Russell and the New Orleans Jazz Revival by Ray Smith and Mike Pointon (review)
  2. Jeff Schwartz
  3. pp. 468-470
  4. DOI: https://doi.org/10.1353/not.2020.0021
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  1. Carter by David Schiff (review)
  2. Mark D. Porcaro
  3. pp. 470-473
  4. DOI: https://doi.org/10.1353/not.2020.0022
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  1. Experiencing Chopin: A Listener's Companion by Christine Lee Gengaro (review)
  2. Laura Pita
  3. pp. 473-476
  4. DOI: https://doi.org/10.1353/not.2020.0023
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  1. Information Literacy in Music: An Instructor's Companion ed. by Beth Christensen, Erin Conor, and Marian Ritter (review)
  2. Lisa Woznicki
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/not.2020.0024
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Books Recently Published

  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 479-483
  4. DOI: https://doi.org/10.1353/not.2020.0025
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New Periodicals

  1. New Periodicals
  2. Lindsay Hansen Brown
  3. pp. 484-485
  4. DOI: https://doi.org/10.1353/not.2020.0026
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New Media Reviews

  1. New Media Review
  2. Carlos E. Peña
  3. pp. 486-490
  4. DOI: https://doi.org/10.1353/not.2020.0027
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Music Reviews

  1. The Motets by Guillaume de Machaut (review)
  2. Alice V. Clark
  3. pp. 491-495
  4. DOI: https://doi.org/10.1353/not.2020.0028
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  1. Te Deum-Vertonungen K 271 und L 35 by Johann Joseph Fux (review)
  2. Janet K. Page
  3. pp. 495-499
  4. DOI: https://doi.org/10.1353/not.2020.0029
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Music Received

  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 500-503
  4. DOI: https://doi.org/10.1353/not.2020.0030
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Index to Advertisers

  1. Index to Advertisers
  3. p. 505
  4. DOI: https://doi.org/10.1353/not.2020.0031
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