1. From the Associate Editors
  2. Samuel H.N. Cheung, Lindy Li Mark
  3. p. vii
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  1. Structural Cyclicity in Shuihu Zhuan: From Self to Sworn Brotherhood
  2. Samuel Hung-Nin Cheung
  3. pp. 1-15
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  1. Zhu Yodun’s Plays as a Guide to Fifteenth Century Performance Practice*
  2. W. L. Idema
  3. pp. 17-25
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  1. “Felling the Ancient Sweetgum”: Antiphonal Folk Epics of the Miao of Southeast Guizhou
  2. Mark Bender
  3. pp. 27-44
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  1. Reflexivity in the Humor of Xiangsheng
  2. David Moser
  3. pp. 45-68
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  1. The Slopes of Changban, A Beijing Drumsong in the Liu Style
  2. Kate Stevens
  3. pp. 69-83
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  1. The Poetic Function and the Oral Transmission of Chinese Proverbs
  2. Bronislawa Kordas
  3. pp. 85-94
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  1. The Role of Avocational Performers in The Preservation of Kunqu
  2. Lindy Li Mark
  3. pp. 95-114
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  1. Hsü Wei as Drama Critic: An Annotated Translation of the Nan-tz’u Hsu-lu 南詞敍錄 by K.C. Leung (review)
  2. Hans H. Frankel
  3. p. 115
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