Articles

  1. Staging the New Reichshaupstadt: Modern Encounters in Hermann Sudermann's Die Ehre
  2. Jason J. Doerre
  3. pp. 1-19
  4. DOI: 10.1353/gsr.2020.0000
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  1. "Der Platz, auf den man gestellt ist"—Ingeborg Bachmann's Das Honditschkreuzand the Deconstruction of Heimat
  2. Yvonne Zivkovic
  3. pp. 21-39
  4. DOI: 10.1353/gsr.2020.0001
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  1. Theoretical Soldiers: German Economists in the Cold War
  2. Mario Bianchini
  3. pp. 41-58
  4. DOI: 10.1353/gsr.2020.0002
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  1. "Das Problem liegt im Wie": Reading Thomas Bernhard Writing
  2. Jacob Haubenreich
  3. pp. 59-86
  4. DOI: 10.1353/gsr.2020.0003
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  1. Melodramatic Realism: Shared Time and Temporality in Gunther Scholz's and Carlos Cerda's Ein April hat 30 Tage
  2. Jamie H. Trnka
  3. pp. 87-105
  4. DOI: 10.1353/gsr.2020.0004
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  1. "Consuming" China: Images of China in German and American Television Advertisements of the Twenty-First Century
  2. Weijia Li
  3. pp. 107-126
  4. DOI: 10.1353/gsr.2020.0005
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  1. Transnational Memories, National Memory Regimes: Commemorating the Armenian Genocide in Germany
  2. Benjamin Nienass
  3. pp. 127-147
  4. DOI: 10.1353/gsr.2020.0006
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Review Essay

  1. The Habsburg Monarchy and World War I: Integration, Disintegration, and Demise
  2. Peter Thaler
  3. pp. 149-161
  4. DOI: 10.1353/gsr.2020.0007
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Reviews

  1. Europas Werte: Geschichte—Konflikte—Perspektiven by Silvio Vietta (review)
  2. Paul Michael Lützeler
  3. pp. 163-165
  4. DOI: 10.1353/gsr.2020.0008
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  1. Marie von Clausewitz: The Woman behind the Making of On War by Vanya Eftimova Bellinger (review)
  2. Elisabeth Krimmer
  3. pp. 165-167
  4. DOI: 10.1353/gsr.2020.0009
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  1. A Pedagogy of Observation: Nineteenth-Century Panoramas, German Literature, and Reading Culture by Vance Byrd (review)
  2. Daniel Purdy
  3. pp. 167-169
  4. DOI: 10.1353/gsr.2020.0010
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  1. Beyond the Barricades: Government and State-Building in Post-Revolutionary Prussia, 1848–1858 by Anna Ross (review)
  2. Elizabeth Jones
  3. pp. 169-171
  4. DOI: 10.1353/gsr.2020.0011
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  1. Constructing Imperial Berlin: Photography and the Metropolis by Miriam Paeslack (review)
  2. Susan A. Crane
  3. pp. 171-173
  4. DOI: 10.1353/gsr.2020.0012
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  1. Reporter-Streifzüge. Metropolitane Nachrichtenkultur und die Wahrnehmung der Welt 1870–1918 by Michael Homberg (review)
  2. Martin Wagner
  3. pp. 173-174
  4. DOI: 10.1353/gsr.2020.0013
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  1. Constructing the Viennese Modern Body: Art, Hysteria, and the Puppet by Nathan J. Timpano (review)
  2. Margareta Ingrid Christian
  3. pp. 175-177
  4. DOI: 10.1353/gsr.2020.0014
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  1. Love at Last Sight: Dating, Intimacy, and Risk in Turn-of-the-Century Berlin by Tyler Carrington (review)
  2. Dinah Lensing-Sharp
  3. pp. 177-179
  4. DOI: 10.1353/gsr.2020.0015
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  1. News from Germany: The Competition to Control World Communications, 1900–1945 by Heidi J.S. Tworek (review)
  2. Stephanie Seul
  3. pp. 179-181
  4. DOI: 10.1353/gsr.2020.0016
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  1. Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century by Lucia Ruprecht (review)
  2. Wesley Lim
  3. pp. 181-183
  4. DOI: 10.1353/gsr.2020.0017
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  1. Recycling the Disabled: Army, Medicine, and Modernity in WWI Germany by Heather R. Perry (review)
  2. Lutz Kaelber
  3. pp. 183-184
  4. DOI: 10.1353/gsr.2020.0018
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  1. Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918–1965 by Michael E. O'Sullivan (review)
  2. Lauren Faulkner Rossi
  3. pp. 185-187
  4. DOI: 10.1353/gsr.2020.0019
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  1. Dorothy Thompson and German Writers in Defense of Democracy by Karina von Tippelskirch (review)
  2. Paul Michael Lützeler
  3. pp. 187-189
  4. DOI: 10.1353/gsr.2020.0020
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  1. Culture in Nazi Germany by Michael H. Kater (review)
  2. Joan L. Clinefelter
  3. pp. 189-191
  4. DOI: 10.1353/gsr.2020.0021
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  1. The First Soldier: Hitler as Military Leader by Stephen G. Fritz (review)
  2. Michael Geheran
  3. pp. 191-193
  4. DOI: 10.1353/gsr.2020.0022
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  1. The Fourth Reich: The Specter of Nazism from World War II to the Present by Gavriel D. Rosenfeld (review)
  2. Charles Lansing
  3. pp. 195-197
  4. DOI: 10.1353/gsr.2020.0024
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  1. Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945 by Klaus Christian Vögl (review)
  2. Robert Dassanowsky
  3. pp. 197-199
  4. DOI: 10.1353/gsr.2020.0025
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  1. Austria Made in Hollywood by Jacqueline Vansant (review)
  2. Ted Dawson
  3. pp. 200-201
  4. DOI: 10.1353/gsr.2020.0026
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  1. West Germany and Israel: Foreign Relations, Domestic Politics, and the Cold War, 1965–1974 by Carole Fink (review)
  2. Andrea Wiegeshoff
  3. pp. 202-203
  4. DOI: 10.1353/gsr.2020.0027
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  1. The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge by Matthew D. Miller (review)
  2. Nicole Thesz
  3. pp. 208-210
  4. DOI: 10.1353/gsr.2020.0030
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  1. Movement and Performance in Berlin School Cinema by Olivia Landry (review)
  2. Marco Abel
  3. pp. 210-212
  4. DOI: 10.1353/gsr.2020.0031
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  1. Fatih Akin's Cinema and the New Sound of Europe by Berna Gueneli (review)
  2. Noah Isenberg
  3. pp. 213-214
  4. DOI: 10.1353/gsr.2020.0032
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  1. Women at Work in Twenty-First-Century European Cinema by Barbara Mennel (review)
  2. Marco Abel
  3. pp. 215-217
  4. DOI: 10.1353/gsr.2020.0033
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  1. New Perspectives on Contemporary Austrian Literature and Culture ed. by Katya Krylova (review)
  2. Helga Schreckenberger
  3. pp. 221-223
  4. DOI: 10.1353/gsr.2020.0035
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  1. Eure Heimat ist unser Albtraum ed. by Fatma Aydemir and Hengameh Yaghoobfirah (review)
  2. Christian David Zeitz
  3. pp. 225-227
  4. DOI: 10.1353/gsr.2020.0037
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  1. Refugees Welcome? Difference and Diversity in a Changing Germany ed. by Jan-Jonathan Bock and Sharon Macdonald (review)
  2. Karolin Machtans
  3. pp. 227-230
  4. DOI: 10.1353/gsr.2020.0038
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Contributors

  1. Contributors
  2. p. 231
  3. DOI: 10.1353/gsr.2020.0039
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