In this Issue

Table of Contents

Editor's Note

Editor's Note

Eero Laine
pp. 7-8
DOI: https://doi.org/10.1353/dtc.2019.0019
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A Manifesto on Making Space in Taylor Mac's 24-Decade History of Popular Music

Jeannine Murray-Román
pp. 9-28
DOI: https://doi.org/10.1353/dtc.2019.0020
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Sarah Ruhl's Woolfian Essay-Play vs. the Play of Ideas: Let's Talk about How to Transcend a Happy Marriage

Amy Muse
pp. 29-44
DOI: https://doi.org/10.1353/dtc.2019.0021
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Human Histories Onstage: A Conversation on Collaboration with Naomi Wallace & Marcus Rediker

Andrew Barker, Naomi Wallace, Marcus Rediker
pp. 45-65
DOI: https://doi.org/10.1353/dtc.2019.0022
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Special Section: "Intimacy Choreography"

Introduction: Consent-Based Staging in the Wreckage of History

Joy Brooke Fairfield
pp. 67-75
DOI: https://doi.org/10.1353/dtc.2019.0023
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Intimacy Choreography and Cultural Change: An Interview with Leaders in the Field

Joy Brooke Fairfield, Tonia Sina, Laura Rikard, Kaja Dunn
pp. 77-85
DOI: https://doi.org/10.1353/dtc.2019.0024
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Education in Theatrical Intimacy as Ethical Practice for University Theatre

Susanne Shawyer, Kim Shively
pp. 87-104
DOI: https://doi.org/10.1353/dtc.2019.0025
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Staging Cruelty through Consent: Sycorax in Kansas

Jane Barnette, Alysha Griffin, Timmia Hearn-Feldman
pp. 105-121
DOI: https://doi.org/10.1353/dtc.2019.0026
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Willful Actors: Valuing Resistance in American Actor Training

Kari Barclay
pp. 123-141
DOI: https://doi.org/10.1353/dtc.2019.0027
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An Intimacy Choreography for Sexual Justice: Considering Racism and Ableism as Forms of Sexual Violence

Stefanie A. Jones
pp. 143-161
DOI: https://doi.org/10.1353/dtc.2019.0028
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Book Reviews

Theaters of the Everyday: Aesthetic Democracy on the American Stage by Jacob Gallagher-Ross (review)

Tony Gunn
pp. 165-167
DOI: https://doi.org/10.1353/dtc.2019.0029
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Performance Studies and Negative Epistemology: Performance Apophatics by Claire Maria Chambers (review)

Jonah Herzog-Arbeitman
pp. 167-169
DOI: https://doi.org/10.1353/dtc.2019.0030
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Adaptation in Contemporary Theatre: Performing Literature by Frances Babbage (review)

Richard Jones
pp. 169-171
DOI: https://doi.org/10.1353/dtc.2019.0031
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The Contemporary Political Play: Rethinking Dramaturgical Structure by Sarah Grochala (review)

Jennifer Pierce
pp. 171-174
DOI: https://doi.org/10.1353/dtc.2019.0032
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Antitheatricality and the Body Public by Lisa A. Freeman (review)

Matthew T. Shifflett
pp. 174-176
DOI: https://doi.org/10.1353/dtc.2019.0033
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Performing Utopia ed. by Rachel Bowditch and Pegge Vissicaro (review)

Monica Cortés Viharo
pp. 176-178
DOI: https://doi.org/10.1353/dtc.2019.0034
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The Drama and Theatre of Sarah Ruhl by Amy Muse (review)

Phillip Zapkin
pp. 178-180
DOI: https://doi.org/10.1353/dtc.2019.0035
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List of Books Received

Books Received: *Assigned for review **Review appears in JDTC's Fall 2019 issue

pp. 181-190
DOI: https://doi.org/10.1353/dtc.2019.0036
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