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Table of Contents

  1. Editor's Note
  2. Eero Laine
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/dtc.2019.0019
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  1. A Manifesto on Making Space in Taylor Mac's 24-Decade History of Popular Music
  2. Jeannine Murray-Román
  3. pp. 9-28
  4. DOI: https://doi.org/10.1353/dtc.2019.0020
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  1. Sarah Ruhl's Woolfian Essay-Play vs. the Play of Ideas: Let's Talk about How to Transcend a Happy Marriage
  2. Amy Muse
  3. pp. 29-44
  4. DOI: https://doi.org/10.1353/dtc.2019.0021
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  1. Human Histories Onstage: A Conversation on Collaboration with Naomi Wallace & Marcus Rediker
  2. Andrew Barker, Naomi Wallace, Marcus Rediker
  3. pp. 45-65
  4. DOI: https://doi.org/10.1353/dtc.2019.0022
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  1. Introduction: Consent-Based Staging in the Wreckage of History
  2. Joy Brooke Fairfield
  3. pp. 67-75
  4. DOI: https://doi.org/10.1353/dtc.2019.0023
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  1. Intimacy Choreography and Cultural Change: An Interview with Leaders in the Field
  2. Joy Brooke Fairfield, Tonia Sina, Laura Rikard, Kaja Dunn
  3. pp. 77-85
  4. DOI: https://doi.org/10.1353/dtc.2019.0024
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  1. Education in Theatrical Intimacy as Ethical Practice for University Theatre
  2. Susanne Shawyer, Kim Shively
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/dtc.2019.0025
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  1. Staging Cruelty through Consent: Sycorax in Kansas
  2. Jane Barnette, Alysha Griffin, Timmia Hearn-Feldman
  3. pp. 105-121
  4. DOI: https://doi.org/10.1353/dtc.2019.0026
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  1. Willful Actors: Valuing Resistance in American Actor Training
  2. Kari Barclay
  3. pp. 123-141
  4. DOI: https://doi.org/10.1353/dtc.2019.0027
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  1. An Intimacy Choreography for Sexual Justice: Considering Racism and Ableism as Forms of Sexual Violence
  2. Stefanie A. Jones
  3. pp. 143-161
  4. DOI: https://doi.org/10.1353/dtc.2019.0028
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  1. Theaters of the Everyday: Aesthetic Democracy on the American Stage by Jacob Gallagher-Ross (review)
  2. Tony Gunn
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/dtc.2019.0029
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  1. Performance Studies and Negative Epistemology: Performance Apophatics by Claire Maria Chambers (review)
  2. Jonah Herzog-Arbeitman
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/dtc.2019.0030
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  1. Adaptation in Contemporary Theatre: Performing Literature by Frances Babbage (review)
  2. Richard Jones
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/dtc.2019.0031
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  1. The Contemporary Political Play: Rethinking Dramaturgical Structure by Sarah Grochala (review)
  2. Jennifer Pierce
  3. pp. 171-174
  4. DOI: https://doi.org/10.1353/dtc.2019.0032
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  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. Matthew T. Shifflett
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/dtc.2019.0033
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  1. Performing Utopia ed. by Rachel Bowditch and Pegge Vissicaro (review)
  2. Monica Cortés Viharo
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/dtc.2019.0034
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  1. The Drama and Theatre of Sarah Ruhl by Amy Muse (review)
  2. Phillip Zapkin
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/dtc.2019.0035
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  1. Books Received: *Assigned for review **Review appears in JDTC's Fall 2019 issue
  3. pp. 181-190
  4. DOI: https://doi.org/10.1353/dtc.2019.0036
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