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In this Issue

Table of Contents

  1. Image
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Provocation

  1. The Vagina Is the Third Ear
  2. Miya Masaoka
  3. pp. 2-7
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TDR Comment

  1. Endgame Earth: Clinging to Optimism
  2. Richard Schechner
  3. pp. 11-21
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Articles

  1. Disastrously Creative: K-pop, Virtual Nation, and the Rebirth of Culture Technology
  2. Suk-Young Kim
  3. pp. 22-35
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  1. Postrevolutionary Retrojection: Azadeh Akhlaghi Stages 17 Deaths in Iran
  2. Sareh Z Afshar
  3. pp. 36-61
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  1. Teatr ZAR: Theatre Out of Death
  2. Dariusz Kosiński
  3. pp. 62-87
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  1. Getting Caught: A Collaboration On- and Offstage between Theatre and Anthropology
  2. Cristiana Giordano, Greg Pierotti
  3. pp. 88-106
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  1. Unhappy Performatives of Statehood: Staging Incompatible Narratives of Eritrea through Academic Conferences
  2. Tanja R. Müller
  3. pp. 107-118
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  1. Aquarium Mermaids: Multiskilled Entrepreneurs in the Creative Economy
  2. Tracy C. Davis, Sara Malou Strandvad
  3. pp. 119-144
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  1. Curating in the Age of Live Performance
  2. Allen S. Weiss
  3. pp. 145-154
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  1. The (Im)Possibility of Empathy in SIGNA's Half the Suffering
  2. Theresa Schütz, Jessi Piggott
  3. pp. 155-167
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  1. Historical Possibility in 1878: Choosing a Different Story with The Stranger Disease
  2. Cara Romanik
  3. pp. 162-167
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Books

  1. The Drama of Space: Spatial Sequences and Compositions in Architecture by Holger Kleine (review)
  2. Branislav Jakovljević
  3. pp. 168-170
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  1. Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)
  2. Anna Jayne Kimmel
  3. pp. 170-172
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  1. Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora by Jessica Nydia Pabón-Colón (review)
  2. Jenell Rae Navarro
  3. pp. 173-174
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  1. Occupying the Stage: The Theater of May '68 by Kate Bredeson (review)
  2. Ryan Anthony Hatch
  3. pp. 175-176
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  1. Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox (review)
  2. Chiayi Seetoo
  3. pp. 177-179
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  1. More Books
  2. Rae Langes
  3. pp. 179-181
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TDR Continued...

  1. Performance Art and Illiberal Democracy: Marina Abramović's The Cleaner in Belgrade
  2. Branislav Jakovljević
  3. pp. 182-189
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