In this Issue

Table of Contents

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The Vagina Is the Third Ear

Miya Masaoka
pp. 2-7
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Endgame Earth: Clinging to Optimism

Richard Schechner
pp. 11-21
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Disastrously Creative: K-pop, Virtual Nation, and the Rebirth of Culture Technology

Suk-Young Kim
pp. 22-35
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Postrevolutionary Retrojection: Azadeh Akhlaghi Stages 17 Deaths in Iran

Sareh Z Afshar
pp. 36-61
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Teatr ZAR: Theatre Out of Death

Dariusz Kosiński
pp. 62-87
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Getting Caught: A Collaboration On- and Offstage between Theatre and Anthropology

Cristiana Giordano, Greg Pierotti
pp. 88-106
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Unhappy Performatives of Statehood: Staging Incompatible Narratives of Eritrea through Academic Conferences

Tanja R. Müller
pp. 107-118
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Aquarium Mermaids: Multiskilled Entrepreneurs in the Creative Economy

Tracy C. Davis, Sara Malou Strandvad
pp. 119-144
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Curating in the Age of Live Performance

Allen S. Weiss
pp. 145-154
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The (Im)Possibility of Empathy in SIGNA's Half the Suffering

Theresa Schütz, Jessi Piggott
pp. 155-167
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Historical Possibility in 1878: Choosing a Different Story with The Stranger Disease

Cara Romanik
pp. 162-167
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The Drama of Space: Spatial Sequences and Compositions in Architecture by Holger Kleine (review)

Branislav Jakovljević
pp. 168-170
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Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)

Anna Jayne Kimmel
pp. 170-172
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Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora by Jessica Nydia Pabón-Colón (review)

Jenell Rae Navarro
pp. 173-174
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Occupying the Stage: The Theater of May '68 by Kate Bredeson (review)

Ryan Anthony Hatch
pp. 175-176
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Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox (review)

Chiayi Seetoo
pp. 177-179
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More Books

Rae Langes
pp. 179-181
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Performance Art and Illiberal Democracy: Marina Abramović's The Cleaner in Belgrade

Branislav Jakovljević
pp. 182-189
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