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In this Issue

Table of Contents

Articles

  1. Conservative Confucian Values and the Promotion of Oral Performance Literature in Late Qing Jiangnan: Yu Zhi’s Influence on Two Appropriations of Liu Xiang Baojuan
  2. Katherine Alexander
  3. pp. 89-115
  4. DOI: https://doi.org/10.1353/cop.2017.0008
  5. restricted access

Reports

  1. Promoting Beijing Opera in America: The Confucius Institute of Chinese Opera at Binghamton University
  2. Zu-yan Chen
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/cop.2017.0009
  5. restricted access
  1. Report on the First “In Art We Trust” Chinese Opera in New York Forum, New York City, USA, 2016
  2. Dong Sun
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/cop.2017.0010
  5. restricted access

Book Reviews

  1. The Immortal Maiden Equal to Heaven and Other Precious Scrolls from Western Gansu by Wilt L. Idema (review)
  2. David Johnson
  3. pp. 123-128
  4. restricted access
  1. Passion, Poverty, and Travel: Traditional Hakka Songs and Ballads by Wilt L. Idema (review)
  2. Mark Bender
  3. pp. 129-131
  4. restricted access
  1. The Resurrected Skeleton: From Zhuangzi to Lu Xun by Wilt L. Idema (review)
  2. Paize Keulemans
  3. pp. 131-134
  4. restricted access
  1. The Metamorphosis of Tianxian pei: Local Opera under the Revolution (1949–1956) by Wilt L. Idema (review)
  2. Paola Iovene
  3. pp. 134-139
  4. restricted access
  1. Ershi shiji xiqu gaige de sanda fanshi 20 世紀戲曲改革的三大範式 by Li Wei 李偉 (review)
  2. Liang Luo 羅靚
  3. pp. 139-144
  4. restricted access
  1. Zai ni wenhou de xiaorong zhong dangyang: Jinian Hafo daxue shouwei Huayi nü jiaoshou Zhao Rulan 在你溫厚的笑容中蕩漾: 紀念哈佛大學首位華裔女教授趙如 蘭 / Remembering Rulan Chao Pian: Harvard’s First Female Professor of Chinese Heritage ed. by Bell Yung 榮鴻曾 and Samuel Wu 吳淼鑫 (review)
  2. Chuen-Fung Wong
  3. pp. 144-146
  4. restricted access

Performance Review

  1. Shuihu (Water Margin) and Honglou (Dream of the Red Chamber) Adaptations on the Modern Stage
  2. Jing Shen
  3. pp. 147-158
  4. DOI: https://doi.org/10.1353/cop.2017.0017
  5. restricted access

Research Notes

  1. From First-Person to Third-person Narrative, and then to Hakka Ballad: From “Tang Xuan shouji” (Tang Xuan’s Manuscript Notes) To “Tang Xuan” To “Tang Xian ji” (The Story of Tang Xian)
  2. Wilt L. Idema
  3. pp. 159-163
  4. DOI: https://doi.org/10.1353/cop.2017.0018
  5. restricted access
  1. The 2015 Contest of Baojuan Performers and Academic Conference in Zhoupu and Modernized “Scroll Recitation” in Pudong
  2. Rostislav Berezkin
  3. pp. 164-172
  4. DOI: https://doi.org/10.1353/cop.2017.0019
  5. restricted access
  1. Mei Lanfang quanji 梅 蘭芳全集 (The complete works of Mei Lanfang). Edited by Fu Jin 傅謹. 8 vols. Beijing: Beijing chubanshe and Zhongguo xiju chuban she, 2016
  2. David L. Rolston
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/cop.2017.0020
  5. restricted access

In Memoriam

  1. In Memory of André Lévy: Extraordinary Scholar and Translator 1925–2017
  2. Margaret Wan, Vibeke Børdahl
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/cop.2017.0021
  5. restricted access
  1. In Memory of Catherine “Kate” Stevens 1927–2016
  2. Margaret B. Wan
  3. pp. 179-180
  4. DOI: https://doi.org/10.1353/cop.2017.0022
  5. restricted access