In this Issue
CHINOPERL: Journal of Chinese Oral and Performing Literature is published by CHINOPERL, short for the Conference on Chinese Oral and Performing Literature.
The focus of CHINOPERL is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.
Formerly CHINOPERL Papers, number 6 (1976) through number 31 (2012); CHINOPERL News, number 1 (1969) through number 5 (1975).
Sponsor: The Conference on Chinese Oral and Performing Literature (CHINOPERL)Sign up for alerts at: MyMUSE Alerts
published by
University of Hawai'i Pressviewing issue
Volume 36, Number 2, December 2017Editorial Board
Editor
Margaret B. Wan (University of Utah, USA)
Consulting Editor
David Rolston (University of Michigan, USA)
Associate Editor
Meredith Schweig (Emory University, USA)
Editorial Board
Mark Bender (The Ohio State University)
Susan Blader (Dartmouth College, USA)
Vibeke Børdahl (Nordic Institute of Asian Studies, Copenhagen)
Claire Conceison (Duke University)
GUO Yingde (Beijing Normal University)
HAI Zhen (National Academy of Theatre Arts, Beijing, China)
Robert E Hegel (Washington University, St Louis, USA)
Wilt L Idema (Harvard University)
David Johnson (University of California, Berkeley, USA)
Kathryn Lowry (The Hong Kong Polytechnic University, Hong Kong)
Colin Mackerras (Griffith University, Australia,)
Victor H. Mair (University of Pennsylvania)
Lindy Li Mark (California State University, East Bay, USA)
Anne E. McLaren, University of Melbourne, Australia
Helen Rees (University of California, Los Angeles, USA)
Catherine C. Swatek (University of British Columbia, Canada)
Sue M. C. Tuohy (Indiana University, USA)
C.K. Wang (National Tsing-Hua University, Taiwan)
Elizabeth Wichmann-Walzcak (University of Hawai’i at Manoa, USA)
Bell Yung (University of Pittsburgh, USA)
Judith T. Zeitlin (University of Chicago, USA)
David Rolston (University of Michigan, USA)
Associate Editor
Meredith Schweig (Emory University, USA)
Editorial Board
Mark Bender (The Ohio State University)
Susan Blader (Dartmouth College, USA)
Vibeke Børdahl (Nordic Institute of Asian Studies, Copenhagen)
Claire Conceison (Duke University)
GUO Yingde (Beijing Normal University)
HAI Zhen (National Academy of Theatre Arts, Beijing, China)
Robert E Hegel (Washington University, St Louis, USA)
Wilt L Idema (Harvard University)
David Johnson (University of California, Berkeley, USA)
Kathryn Lowry (The Hong Kong Polytechnic University, Hong Kong)
Colin Mackerras (Griffith University, Australia,)
Victor H. Mair (University of Pennsylvania)
Lindy Li Mark (California State University, East Bay, USA)
Anne E. McLaren, University of Melbourne, Australia Helen Rees (University of California, Los Angeles, USA)
Catherine C. Swatek (University of British Columbia, Canada)
Sue M. C. Tuohy (Indiana University, USA)
C.K. Wang (National Tsing-Hua University, Taiwan)
Elizabeth Wichmann-Walzcak (University of Hawai’i at Manoa, USA)
Bell Yung (University of Pittsburgh, USA)
Judith T. Zeitlin (University of Chicago, USA)