1. Promoting Beijing Opera in America: The Confucius Institute of Chinese Opera at Binghamton University
  2. Zu-yan Chen
  3. pp. 116-119
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  1. Report on the First “In Art We Trust” Chinese Opera in New York Forum, New York City, USA, 2016
  2. Dong Sun
  3. pp. 120-122
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  1. The Immortal Maiden Equal to Heaven and Other Precious Scrolls from Western Gansu by Wilt L. Idema (review)
  2. David Johnson
  3. pp. 123-128
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  1. Passion, Poverty, and Travel: Traditional Hakka Songs and Ballads by Wilt L. Idema (review)
  2. Mark Bender
  3. pp. 129-131
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  1. The Resurrected Skeleton: From Zhuangzi to Lu Xun by Wilt L. Idema (review)
  2. Paize Keulemans
  3. pp. 131-134
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  1. The Metamorphosis of Tianxian pei: Local Opera under the Revolution (1949–1956) by Wilt L. Idema (review)
  2. Paola Iovene
  3. pp. 134-139
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  1. Ershi shiji xiqu gaige de sanda fanshi 20 世紀戲曲改革的三大範式 by Li Wei 李偉 (review)
  2. Liang Luo 羅靚
  3. pp. 139-144
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  1. Shuihu (Water Margin) and Honglou (Dream of the Red Chamber) Adaptations on the Modern Stage
  2. Jing Shen
  3. pp. 147-158
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  1. The 2015 Contest of Baojuan Performers and Academic Conference in Zhoupu and Modernized “Scroll Recitation” in Pudong
  2. Rostislav Berezkin
  3. pp. 164-172
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  1. In Memory of André Lévy: Extraordinary Scholar and Translator 1925–2017
  2. Margaret Wan, Vibeke Børdahl
  3. pp. 175-178
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  1. In Memory of Catherine “Kate” Stevens 1927–2016
  2. Margaret B. Wan
  3. pp. 179-180
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