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Table of Contents

  1. Introduction
  2. Xu Peng
  3. pp. iii-x
  4. restricted access
  1. Hearing the Opera: “Teahouse Mimesis” and the Aesthetics of Noise in Early Jingju Recordings, 1890s—1910s
  2. Xu Peng
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/cop.2017.0000
  5. restricted access
  1. Qi Rushan, Gewu (Song-and-Dance), and the History of Contemporary Peking Opera in Early Twentieth-Century China
  2. Hsiao-Chun Wu
  3. pp. 22-45
  4. DOI: https://doi.org/10.1353/cop.2017.0001
  5. restricted access
  1. Locating Theatricality on Stage and Screen: Rescuing Performance Practice and the Phenomenon of Fifteen Strings of Cash (Shiwu Guan; 1956)
  2. Anne Rebull
  3. pp. 46-71
  4. DOI: https://doi.org/10.1353/cop.2017.0002
  5. restricted access
  1. City of the Dead and Song of the Night by Gao Xingjian (review)
  2. Wilt L. Idema
  3. pp. 72-75
  4. restricted access
  1. The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions tr. and intro. by Stephen H. West, Wilt L. Idema (review)
  2. Hongchu Fu
  3. pp. 75-78
  4. restricted access
  1. The Rise of Cantonese Opera by Wing Chung Ng (review)
  2. Yu Siu Wah
  3. pp. 79-81
  4. restricted access
  1. Singing on the River: Sichuan Boatmen and Their Work Songs, 1880s–1930s by Igor Iwo Chabrowski (review)
  2. Anne E. Mclaren
  3. pp. 82-87
  4. restricted access